Di slowly put one piece of music on another, absently turning them right
side upwards. He saw what was passing through her mind as clearly as if
it had been reflected in a glass. He stood by her watching her bend
over the piano. He was unable to speak to her or help her. Presently she
looked slowly up at him. He had no conception until he tried how
difficult it was to meet without flinching the quiet friendship of her
eyes.
"John," she said, "my mother wrote that song. Do you remember what a
happy, innocent kind of look the miniature had? She was seventeen then,
and she was only four and twenty when she died. I don't know how to
express it, but somehow the miniature seems a very long way off from the
song. I am afraid there must have been a good deal of travelling
between-whiles, and not over easy country."
John would have answered something, but the Goodwins were saying "Good
night;" and shortly afterwards the others dispersed for the night. But
John sat up late over the smoking-room fire, turning things over in his
mind, and vainly endeavouring to nail shadows to the wall. It seemed to
him as if, while straining towards a goal, he had suddenly discovered,
by the merest accident, that he was walking in a circle.
CHAPTER VIII.
"Vous me quittez, n'ayant pu voir
Mon âme à travers mon silence."
VICTOR HUGO.
It was Saturday morning. The few guests had departed by an early train.
The painter cast a backward glance at Overleigh and the two figures
standing together in the sunshine on the grey green steps which, with
their wide hospitable balustrade, he had sketched so carefully. He was
returning to the chastened joys of domestic life in London lodgings; to
his pretty young jaded, fluffy wife, and fluffy, delicate child; to the
Irish stew, and the warm drinking-water, and the blistered gravy of his
home-life. Sordid surroundings have the sad power of making some lives
sordid too. It requires a rare nobility of character to rise permanently
above the dirty table-cloth, and ill-trimmed paraffin-lamp of poor
circumstances. Poverty demoralizes. A smell of cooking, and, why I know
not, but especially an aroma of boiled cabbage, can undermine the
dignity of existence. A reminiscence of yesterday on the morning fork
dims the ideals of youth.
As he drove away between the double row of beeches, with a hand on his
boarded picture, the poor painter reflected that John was a fortunate
kind of person. The dogcart was full of grapes and peaches and game.
Perhaps the power to be generous is one of the most enviable attributes
of riches.
"Poor fellow!" said John, as he and Di turned back into the cool gloom
of the white stone hall.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account