John was breathless but triumphant. His hands were a trifle black; but what of that? The door of the gold drawing-room was open. It was a historic room, the decoration of which had been left untouched since the days when the witty Mrs. Tempest, whom Gainsborough painted, held her salon there. It was a long pillared room. Curtains of some old-fashioned pale gold brocade, not made now, hung from the white pillars and windows. The gold-coloured walls were closely lined with dim pictures from the ceiling to the old Venetian leather of the dado. Tall, gilt eastern figures, life size, meant to hold lamps, stood here and there, raising their empty hands, hideous, but peculiar to the room, with its bygone stately taste, and stiff white and gilt chairs and settees. John drew aside the curtain, and then hesitated. A family of tall white lilies in pots were gathered together in one of the further windows. Di was standing by them, turned towards him, but without perceiving him. She had evidently introduced herself to the lilies as a friend of the family, and was touching the heads of those nearest to her very gently, very tenderly with one finger. She stood in the full light, like some tall splendid lily herself, against the golden background. John drew in his breath. It was _his_ house; they were _his_ lilies. The empty setting which seemed to claim her for its own, to group itself so naturally round her, was all his. There was a tremor of prophesy in the air. His brain seemed to turn slowly round in his head. He had come upstairs too quickly. His hand clutched the curtain. He felt momentarily incapable of stirring or speaking. The old physical pain, which only loosed him at intervals, tightened its thongs. But he dreaded to see her look up and find him watching her. He went forward and held out his hand in silence. Di looked up and her expression changed instantly. A lovely colour came into her face, and her eyes shone. She advanced quickly towards him.