Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.Kitton, Frederic George
History
Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.
Kitton, Frederic George
Dickens, Charles, 1812-1870 -- Illustrations; English fiction -- Illustrations; Illustration of books -- Great Britain -- 19th century; Illustration of books, Victorian -- Great Britain; Illustrators -- Great Britain
The complete set of twenty-four working tracings of the original designs
for "Oliver Twist," some of which exhibit variations from the finished
etchings, realised £140 at Sotheby's in March 1892. Water-colour
_replicas_ of all the subjects were prepared by Cruikshank in 1866 for
Mr. F. W. Cosens, which the artist supplemented by thirteen smaller
drawings and a humorous title-page, the entire series being reproduced
in colour for an _edition de luxe_ of "Oliver Twist," published by
Chapman & Hall in 1894. The Cruikshank Collections in the British and
South Kensington Museums include many of the artist's sketches and
"first ideas" for the "Oliver Twist" plates, as well as a number of the
matured designs. Here are several trial sketches for the monthly wrapper
of the first octavo edition, executed in pencil with slight washes of
sepia added; the original drawings for "Rose Maylie and Oliver" (known
to collectors as the "Fireside" plate, to which reference will presently
be made), and for "Mr. Bumble Degraded in the Eyes of the Paupers" (with
marginal sketches), the title of which is appended in Dickens's
autograph, where, instead of "the eyes," the word "presence" was
originally written. Here, also, we find the first sketch of Noah
Claypole enjoying an oyster-supper, with the following query written by
the artist: "Dr. Dickens, 'Title' wanted--will any of these do? Yours,
G. Ck." The proposed titles are then given, thus: "Mr. Claypole
Astonishing Mr. Bumble and 'the Natives';" "Mr. Claypole Indulging;"
"Mr. Claypole as he Appeared when his Master was Out,"--the latter being
adopted. On the back of a pen-and-ink drawing of "Oliver's Reception by
Fagin and the Boys," Cruikshank suggested a different title, viz.,
"Oliver Introduced to the Old Gentleman by Jack Dawkins." A beautiful
little water-colour drawing of the subject, entitled "Oliver Introduced
to the Respectable Old Gentleman," is in the Print Room of the British
Museum, where we may also discover a portrait of Oliver himself--a
profile study of the head as seen in the drawing now referred to. On the
back of a sketch of Mr. Brownlow at the bookstall (for the plate
entitled "Oliver Amazed at the Dodger's Mode of 'Going to Work'") is the
rough draft of an unsigned note in the autograph of Cruikshank,
evidently addressed to Dickens:--
"_Thursday Eg., June 15, '37._
"MY DEAR SIR,--Can you let me have a subject for the second
Plate? The first is in progress. By the way, would you like
to see the Drawing? I can spare it for an hour or two if you
will send for it."
PLATE VIII
"MR. BUMBLE DEGRADED IN THE EYES OF THE PAUPERS"
_Facsimile_ of the Original Sketch for "Oliver Twist" by GEORGE
CRUIKSHANK
The Inscription above the Sketch is in the Autograph of Dickens.
[Illustration]
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