Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.Kitton, Frederic George
History
Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.
Kitton, Frederic George
Dickens, Charles, 1812-1870 -- Illustrations; English fiction -- Illustrations; Illustration of books -- Great Britain -- 19th century; Illustration of books, Victorian -- Great Britain; Illustrators -- Great Britain
Mr. Mackenzie Bell has given (in the _Athenæum_, June 11, 1887) a
slightly different version of this part of the narration, and states
that Charles Whitehead, an early friend of Dickens, "used constantly to
affirm that he had been asked to write to Seymour's sketches, and that,
feeling uncertain of being able to supply the copy with sufficient
regularity, he [not Seymour] recommended Dickens for the task. This
appears very likely to have been the case," adds Mr. Bell, "as at that
time Whitehead, who was eight years older than Dickens, was already
known as a facile and fecund writer, his coarse yet powerful romance of
'Jack Ketch' having been very popular for some time. It is even possible
that 'The Pickwick Papers' may have been suggested to Dickens by a
passage in the preface of 'Jack Ketch,' where a humorous allusion is
made to the possibility of the author producing his more mature
experiences under the unambitious title of 'The Ketch Papers,' a work
which never appeared." It may be mentioned that Dickens had just sent in
his MS. of "The Tuggses at Ramsgate" for "The Library of Fiction,"
edited by Whitehead, who was already familiar with the budding
novelist's ability as an author. This carries us to the point whence
Dickens takes up the thread of the story, as printed in the preface to
the first cheap edition of "Pickwick" (1847), where he writes:--
"I was a young man of three-and-twenty when the present publishers
[Chapman & Hall], attracted by some pieces I was at that time writing in
the _Morning Chronicle_ newspaper (of which one series had lately been
collected and published in two volumes, illustrated by my esteemed
friend George Cruikshank), waited upon me to propose a something that
should be published in shilling numbers.... The idea propounded to me
was that the monthly something should be a vehicle for certain plates to
be executed by Mr. Seymour, and there was a notion, either on the part
of that admirable humorous artist or of my visitor (I forget which),
that a 'Nimrod Club,' the members of which were to go out shooting,
fishing, and so forth, and getting themselves into difficulties through
their want of dexterity, would be the best means of introducing these. I
objected, on consideration, that although born and partly bred in the
country, I was no great sportsman, except in regard of all kinds of
locomotion; that the idea was not novel, and had been already much used;
that it would be infinitely better for the plates to arise naturally out
of the text; and that I should like to take my own way, with freer range
of English scenes and people, and was afraid I should ultimately do so
in any case, whatever course I might prescribe to myself at starting. My
views being deferred to, I thought of Mr. Pickwick, and wrote the first
number, from the proof-sheets of which Mr. Seymour made his drawing of
the Club, and that happy portrait of its founder, by which he is always
Public-domain text, read in full here on John Shaqi.
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