Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.Kitton, Frederic George
History
Dickens and His Illustrators: Cruikshank, Seymour, Buss, "Phiz," Cattermole, Leech, Doyle, Stanfield, Maclise, Tenniel, Frank Stone, Landseer, Palmer, Topham, Marcus Stone, and Luke Fildes; 2nd. Ed.
Kitton, Frederic George
Dickens, Charles, 1812-1870 -- Illustrations; English fiction -- Illustrations; Illustration of books -- Great Britain -- 19th century; Illustration of books, Victorian -- Great Britain; Illustrators -- Great Britain
recognised, and which may be said to have made him a reality. I
connected Mr. Pickwick with a club because of the original suggestion,
and I put in Mr. Winkle expressly for the use of Mr. Seymour."
PLATE XVII
"THE PUGNACIOUS CABMAN"
_Facsimile_ of the Original Drawing for "The Pickwick Papers" by
R. SEYMOUR
_Lent by Mr. Augustin Daly._
[Illustration]
The first monthly part of "The Pickwick Papers" appeared early in April
1836, consisting of twenty-six pages of text and four etchings by
Seymour. Judging from a letter written by Dickens at the time the scheme
was first proposed, it seems that the illustrations were to have been
engraved on wood. The artist was then excessively busy, for besides
pledging himself to produce four plates for each monthly issue of
"Pickwick," he had numerous other engagements to fulfil, so great was
the demand for his designs. Although a rapid executant, the commissions
he received from publishers accumulated to such an extent, that the
excessive strain resulting from overwork at starvation prices began
seriously to affect his health. Not only did the monthly supply of the
"Pickwick" plates constitute an additional demand upon his mental
resources, but he was harassed by the uncertainty of receiving from the
printer the proofs from which he deduced his subjects, these sometimes
being delayed so that very little time was allowed for the preparation
of the plates. Unhappily his brain was unable to bear such
pressure; constant business worries and anxieties induced symptoms of
insanity, and before he had completed the second quartette of etchings
for "Pickwick," the unfortunate artist committed suicide. This
deplorable act took place on April 20, 1836, in a summer-house in the
garden at the back of his residence in Liverpool Road, Islington, where,
by the aid of a string attached to the trigger of a fowling-piece, he
deliberately sent the charge through his head.
Seymour, we are assured, had not the slightest pecuniary embarrassment;
he was quite happy, too, in his domestic affairs, extremely fond of his
family, and naturally of a very cheerful disposition. His melancholy
fate caused a general feeling of regret among the public, with whom he
was a great favourite, and to whom he was then better known than Dickens
himself. In the second number of "Pickwick" appeared the following just
tribute to the merits of the artist: "Some time must elapse before the
void the deceased gentleman has left in his profession can be filled up;
the blank his death has occasioned in the Society, which his amiable
nature won, and his talents adorned, we can hardly hope to see supplied.
We do not allude to this distressing event, in the vain hope of adding,
by any eulogium of ours, to the respect in which the late Mr. Seymour's
memory is held by all who ever knew him."
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