Discourses on Satire and on Epic Poetry — John Shaqi
Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
After such terrible accusations, it is time to hear what his patron
Casaubon can allege in his defence. Instead of answering, he excuses for
the most part; and when he cannot, accuses others of the same crimes. He
deals with Scaliger as a modest scholar with a master. He compliments
him with so much reverence that one would swear he feared him as much at
least as he respected him. Scaliger will not allow Persius to have any
wit; Casaubon interprets this in the mildest sense, and confesses his
author was not good at turning things into a pleasant ridicule, or, in
other words, that he was not a laughable writer. That he was _ineptus_,
indeed, but that was _non aptissimus ad jocandum_; but that he was
ostentatious of his learning, that by Scaliger’s good favour he denies.
Persius showed his learning, but was no boaster of it; he did
_ostendere_, but not _ostentare_; and so, he says, did Scaliger (where,
methinks, Casaubon turns it handsomely upon that supercilious critic, and
silently insinuates that he himself was sufficiently vain-glorious and a
boaster of his own knowledge). All the writings of this venerable
censor, continues Casaubon, which are χρυσοῦ χρυσότερα (more golden than
gold itself), are everywhere smelling of that thyme which, like a bee, he
has gathered from ancient authors; but far be ostentation and vain-glory
from a gentleman so well born and so nobly educated as Scaliger. But,
says Scaliger, he is so obscure that he has got himself the name of
Scotinus—a dark writer. “Now,” says Casaubon, “it is a wonder to me that
anything could be obscure to the divine wit of Scaliger, from which
nothing could be hidden.” This is, indeed, a strong compliment, but no
defence; and Casaubon, who could not but be sensible of his author’s
blind side, thinks it time to abandon a post that was untenable. He
acknowledges that Persius is obscure in some places; but so is Plato, so
is Thucydides; so are Pindar, Theocritus, and Aristophanes amongst the
Greek poets; and even Horace and Juvenal, he might have added, amongst
the Romans. The truth is, Persius is not sometimes, but generally
obscure; and therefore Casaubon at last is forced to excuse him by
alleging that it was _se defendendo_, for fear of Nero, and that he was
commanded to write so cloudily by Cornutus, in virtue of holy obedience
to his master. I cannot help my own opinion; I think Cornutus needed not
to have read many lectures to him on that subject. Persius was an apt
scholar, and when he was bidden to be obscure in some places where his
life and safety were in question, took the same counsel for all his book,
and never afterwards wrote ten lines together clearly. Casaubon, being
upon this chapter, has not failed, we may be sure, of making a compliment
to his own dear comment. “If Persius,” says he, “be in himself obscure,
yet my interpretation has made him intelligible.” There is no question
but he deserves that praise which he has given to himself; but the nature
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