Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
The comparison betwixt Horace and Juvenal is more difficult, because
their forces were more equal. A dispute has always been, and ever will
continue, betwixt the favourers of the two poets. _Non nostrum est
tantas componere lites_. I shall only venture to give my own opinion,
and leave it for better judges to determine. If it be only argued in
general which of them was the better poet, the victory is already gained
on the side of Horace. Virgil himself must yield to him in the delicacy
of his turns, his choice of words, and perhaps the purity of his Latin.
He who says that Pindar is inimitable, is himself inimitable in his odes;
but the contention betwixt these two great masters is for the prize of
satire, in which controversy all the odes and epodes of Horace are to
stand excluded. I say this because Horace has written many of them
satirically against his private enemies; yet these, if justly considered,
are somewhat of the nature of the Greek _silli_, which were invectives
against particular sects and persons. But Horace had purged himself of
this choler before he entered on those discourses which are more properly
called the Roman satire. He has not now to do with a Lyce, a Canidia, a
Cassius Severus, or a Menas; but is to correct the vices and the follies
of his time, and to give the rules of a happy and virtuous life. In a
word, that former sort of satire which is known in England by the name of
lampoon is a dangerous sort of weapon, and for the most part unlawful.
We have no moral right on the reputation of other men; it is taking from
them what we cannot restore to them. There are only two reasons for
which we may be permitted to write lampoons, and I will not promise that
they can always justify us. The first is revenge, when we have been
affronted in the same nature, or have been anywise notoriously abused,
and can make ourselves no other reparation. And yet we know that in
Christian charity all offences are to be forgiven, as we expect the like
pardon for those which we daily commit against Almighty God. And this
consideration has often made me tremble when I was saying our Saviour’s
prayer, for the plain condition of the forgiveness which we beg is the
pardoning of others the offences which they have done to us; for which
reason I have many times avoided the commission of that fault, even when
I have been notoriously provoked. Let not this, my lord, pass for vanity
in me; for it is truth. More libels have been written against me than
almost any man now living; and I had reason on my side to have defended
my own innocence. I speak not of my poetry, which I have wholly given up
to the critics—let them use it as they please—posterity, perhaps, may be
more favourable to me; for interest and passion will lie buried in
another age, and partiality and prejudice be forgotten. I speak of my
morals, which have been sufficiently aspersed—that only sort of
reputation ought to be dear to every honest man, and is to me. But let
Public-domain text, read in full here on John Shaqi.
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