Redwan is called a town, because it has a bazar, and is the chief place of a considerable district. It may contain about eight hundred rudely-built huts, and stands on a large stream, which joins the Diarbekir branch of the Tigris, about five or six miles below. The inhabitants are Yezidis, with the exception of about one hundred Armenian, and forty or fifty Jacobite and Chaldæan families. A Turkish Mudir, or petty governor, generally resides in the place, but was absent at the time of my visit. We slept in a long room opening on the courtyard, and were awoke long before daybreak by the jingling of small bells and the mumbling of priests. It was Sunday, and the Armenians commence their church services betimes. I gazed half dozing, and without rising from my bed, upon the ceremonies, the bowing, raising of crosses, and shaking of bells, which continued for above three hours, until priests and congregation must have been well nigh exhausted. The people, as during the previous afternoon's service, stood and knelt uncovered in the courtyard. [Illustration: The Melek Taous, or Copper Bird of the Yezidis.] The Cawals, who are sent yearly by Hussein Bey and Sheikh Nasr to instruct the Yezidis in their faith, and to collect the contributions forming the revenues of the great chief, and of the tomb of Sheikh Adi, were now in Redwan. The same Cawals do not take the same rounds every year. The Yezidis are parcelled out into four divisions for the purpose of these annual visitations, those of the Sinjar, of Kherzan, of the pashalic of Aleppo, and of the villages in northern Armenia, and within the Russian frontiers. The Yezidis of the Mosul districts have the Cawals always amongst them. I was aware that on the occasion of these journeys the priests carry with them the celebrated Melek Taous, or brazen peacock, as a warrant for their mission. As this was a favorable opportunity, I asked and obtained a sight of this mysterious figure. A stand of bright copper or brass, in shape like the candlesticks generally used in Mosul and Baghdad, was surmounted by the rude image of a bird in the same metal, and more like an Indian or Mexican idol than a cock or peacock. Its peculiar workmanship indicated some antiquity, but I could see no traces of inscription upon it. Before it stood a copper bowl to receive contributions, and a bag to contain the bird and stand, which takes to pieces when carried from place to place. There are four such images, one for each district visited by the Cawals. The Yezidis declare that, notwithstanding the frequent wars and massacres to which the sect has been exposed, and the plunder and murder of the priests during their journeys, no Melek Taous has ever fallen into the hands of the Mussulmans. Mr. Hormuzd Rassam was alone permitted to visit the image with me. As I have elsewhere observed,[7] it is not looked upon as an idol, but as a symbol or banner, as Sheikh Nasr termed it, of the house of Hussein Bey.