Upon a large and expressly hewn and prepared stone, at some height, by the entrance to the Pyramid of Cheops, we have left the hieroglyphical inscription upon a space of five feet in breadth, and four feet in height, painted in with oil-colours. It seemed good to me, that the Prussian Expedition, while it dedicated this tablet to the much-respected prince who had sent the Expedition hither, should leave some trace of its activity in this field, where it had been reserved for that enterprise to gather in the plenteous materials for the first chapter of all scientific history. Do not imagine, however, that these are the weighty labours that have kept us so long here. It is from the advantage which we possess over former travellers that places like these have the right to detain us until we have exhausted them. We already know that the grand ruins of the Thebaïc plain cannot discover anything to us of similar interest to the Memphitic period of the Old Empire. At some time we must of course leave off, and then always with the certainty that we leave much behind us, of the greatest interest, that has still to be won. I had already determined upon our departure some days since, when a row of tombs were discovered of a new period, a new architecture, a new style in the figures and hieroglyphics, with other titles, and, as it might have been expected, with other royal names. Our historical gain is by no means perfected, nor is it even general. I was quite right in giving up the task of reconstructing the third dynasty after monuments, while in Europe. Nor have I yet found a single cartouche that can be safely assigned to a period previous to the fourth dynasty. The builders of the Great Pyramid seem to assert their right to form the commencement of monumental history, even if it be clear that they were not the first builders and monumental writers. We have already found some hitherto unknown cartouches and variants of others, such as:-- [Illustration: Keka. Heraku. Useskef. Ana. ] The name that I have hitherto treated as Amchura shows, in the complete and painted inscriptions, which throw not a little light upon the figurative meanings of the hieroglyphic writings, a totally different sign, to the well-known group, [Illustration: hieroglyph] _amchu_, viz.: [Illustration: hieroglyph], the pronunciation of which is yet uncertain to me.[13]