Dissertation on the Progress of the Fine ArtsScott, John Robert
Philosophy
Dissertation on the Progress of the Fine Arts
Scott, John Robert
Aesthetics; Art; Art and society -- Greece; Art patronage -- Great Britain; Art patronage -- Greece; Arts, British; Arts, Greek
[Footnote i: Dr. George Cleghorn, the late excellent and deservedly
famous Professor of Anatomy in the university of Dublin: a man of whom
it can be truly said that the excellent qualities of his heart were as
estimable as his superior professional talents were conspicuous.]
[Footnote k: This statue, which forms one of the most valuable
possessions in the superb Borghese collection, is commonly called _the
fighting Gladiator_; but, we apprehend, very erroneously: as the whole
of that admirable figure bespeaks a character greatly superior to that
of those degraded and despised beings, whose mercenary services
contributed to the amusements of the Roman amphitheatre.]
It cannot be inferred from what has been here said that there is
intended any unqualified approbation of the custom of appearing naked;
which so generally prevailed among the ancients, and more especially
among the Greeks. Surely no: for its indecency is obvious; it smoothed
the path to many immoralities, and doubtless tended in no slight degree
to inflame, if not kindle, some notorious vices to which they were
eminently addicted. But it has been merely considered with respect to
its subserviency to promote the arts of painting and sculpture: and its
powerful and salutary influence on them seems so apparent as to be
nearly incontestible. It co-operated with other causes, yet to be
mentioned, to give them that superlative excellence which, through a
long succession of centuries, has excited uniform admiration; and which
yet, superlative as it was, fell short of the ideas of it entertained
and cherished by the artists.
Public-domain text, read in full here on John Shaqi.
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