Dissertation on the Progress of the Fine ArtsScott, John Robert
Philosophy
Dissertation on the Progress of the Fine Arts
Scott, John Robert
Aesthetics; Art; Art and society -- Greece; Art patronage -- Great Britain; Art patronage -- Greece; Arts, British; Arts, Greek
The peculiar situation of Greece, from the first beginnings of the arts
to their most flourishing period, contributed also materially to their
improvement and perfection. In its utmost extent not a country of large
dimensions, it was yet divided and subdivided into a number of
independent states; each eager for distinction, each emulous of fame,
each jealous of all superiority in their neighbours. Never for any
length of time subject to the dominion of masters, till the overwhelming
influence of the Macedonian sunk them all into common slavery, their
constitutions were free, or what they regarded as free: in which each
citizen felt himself equally interested with any other to extend the
reputation, to exalt the glory, and to enlarge the consequence of the
state. And when the pre-eminence of power had assigned to Sparta, and
afterwards to Athens, that preponderance of authority and weight of
consequence necessary to a leading state, first among its equals; still,
from national spirit and from deep-rooted habits, an emulation every
where prevailed of rivalling in the first rank of reputation each of
their neighbours, although they had conceded to one of them the dignity
of command. With the single exception of Sparta, where the stern
discipline of Lycurgus effectually prevented their progress, as after
the arts had began to arise their cultivation was diffused and eagerly
pursued throughout all Greece; the praise of excellence in them early
became and long continued an object of the first importance with all its
various states. They regarded them not only as a means of internal
ornament, in which yet they much prided themselves, but also of external
character; a means which might raise to higher fame than the most
celebrated their favoured district, however inferior to them in
political power. Hence the possession of an artist of distinguished
abilities and superior talents was considered as a national concern: and
the esteem wherein he was held, the popularity he acquired, and the
dignified stations to which with fair prospects of success he might
aspire, were answerable to the consequence which his genius was thought
to confer on his native land.
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