Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that SubjectWebster, Noah
General
Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that Subject
Webster, Noah
English language -- Early works to 1800; English language -- Grammar -- Early works to 1800; Spelling reform -- Early works to 1800
[24] "Ex hac malefano novetatis pruritu, Belgæ Gallicas voces passim
civitate sua donando patrii sermonis puritatem nuper non leviter
inquinârunt, et Chaucerus Poeta, pessimo exemplo, _integris vocum
plaustris ex eadem Gallia in nostram linguam invectis_, eam, nimis
antea a Normannorum victoriæ adulteratam, omni fere nativa gratia et
nitore spoliavit."----Skinner Etymol. L. A. Pref.
[25] Raimond IV. of Aragon, count of Provence, rendered his Court a
temple of the muses, and to this resorted the lovers of the Belles
Lettres from every part of Europe. About the year 1300, a taste for the
Provençal language and poetry was imbibed in Italy, and soon after in
England.--Denina, Chap. 4.
[26] A remarkable example of this kind of stile, we have in
Elphinstone's principles of the English Language. The author has taken
great pains to be obscure, and has succeeded to admiration.
Of this kind of stile, the reader may see a specimen in the following
passage, taken from Young's spirit of Athens. Page 6.
"Surely, in every mind, there is an emulation of virtuous superiority,
which, however fortune or the meaner passions may hebitate its powers,
still, at every example of success in the particular object of its
predilection, glows into a momentary flame, which from frequent
resuscitation may acquire a stability and strength sufficient to reach
at the attainment of what, at first, was regarded solely as matter of
admiration; the idea of imitation which hath thus enraptured the fancy,
may in times of perilous crisis somewhat elevate the mind and influence
the conduct; and if such ever may be the effect, what other lecture can
ballance the utility of that, which thus animates the man, and urges
him to noble and disinterested services in a good, great and public
cause."
The author could hardly have invented an arrangement, better calculated
to obscure his meaning.
It is said of Moliere, that before he would suffer a new play of his to
be acted, he read it to an old woman, and judged, by the effect it had
upon her, what reception it would meet with on the stage. It is a pity,
some modern writers do not copy the example.
[27] Dr. Blair has made a few excellent remarks on this fault, under
the article _Precision_, Lecture 10. I do not remember to have seen any
other criticisms upon this subject.
[28] Ossian.
[29] See Blair, Lecture 6, and Condillac, in his Essay on the Origin of
Human Knowlege. The _dancing_ of David, and others, mentioned in the
Old Testament, was a solemn exercise, in which action was joined with
words to express ideas.
It is said to have been a dispute between Cicero and Roscius, whether
the former could express an idea by a greater variety of _words_,
or the latter by a greater variety of _gesture_.----"Satis constat,
contendere cum (Ciceronem) cum ipso histrione (Roscio) solitum, utrum
ille sæpius eandem sententiam variis gestibus efficeret, an ipse per
eloquentiæ copiam sermone diverso pronunciaret."----Macrob. Saturn, 2.
10.
Public-domain text, read in full here on John Shaqi.
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