British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
Thus, when the first tempest of grief had passed she faced the future
with the first fear turned to conviction. She had lost everything, even
to her nationality. Those few months had been sufficient to imbue her,
without her knowledge, with ideas and principles which made her a
stranger in her own land. She could no longer admire without
reservation; at every turn she was forced to compare and criticise with
the same sharpness as she had compared and criticised in her German
home, and a word against the people to whom she still theoretically
belonged was sufficient to arouse the same indignation and resentment.
Poor Nora! It was a bitter self-revelation which she had to face, and
the only being who could have helped her in this conflict between the
dual affections had been laid only a few hours before in the dreary
churchyard whose walls she could distinguish through the leafless trees.
The sight of those walls and the red spire of the church awakened her
grief to its first intensity. She sprang up from her place by the empty
sofa and hurried out of the room and out of the house. On her way she
passed her father’s room. The door stood open, and she saw him seated
by the table, with his face buried in his hands. She knew that he was
crying, but she shrank swiftly away, with the horrible conviction that
she despised him. She wondered if Wolff had cried when he had returned
and found that she had left him. She felt sure that he had gone on
working, and the picture which rose before her fancy of a strong,
broad-shouldered man bent over his maps and plans in unswervable
devotion caused her a strange sensation of relief.
It was already late afternoon as she left the village behind her. She
had no definite goal save the one to be alone, and beyond the range of
prying, curious eyes, and almost unconsciously she chose the path over
the fields where, months before, she had gone to meet Robert Arnold.
Then it had been late summer, and it was now winter, but so vividly did
the scene recur to her that when a tall, well-known figure strode out of
the mists towards her, she could have believed that all the preceding
months, with their condensed history of bewildering change, had been no
more than an hallucination and that she was once more Nora Ingestre,
setting out to learn the mysteries of her own heart. But the next
instant her hand was taken, and she was looking into a familiar face
which was yet so altered that she would have known alone from its lines
of care and grief that time had moved on, bringing with him his
inevitable burden.
"Robert!" she cried. She saw his look of pain, and wondered at it. She
did not know that he, too, had drawn the same comparison between then
and now, and had been shocked by the change in the face which so short a
time ago had been that of a girl—nay, almost of a child.
"Poor little Nora!" he said under his breath. "Poor little Nora!"
Public-domain text, read in full here on John Shaqi.
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