'Was that all?' says Peggy, relieved. 'Well, a great many people go
through life very creditably without it. I do not think I should have
cried at that.'
'He was reading me some new poems of his,' continues Prue, not sensibly
cheered by this reassurance; 'and when he had finished, he begged me to
point out any faults I saw in them. And I told him what was the
truth--that there were not any--that I thought them all one more
beautiful than another; and then he looked rather vexed, and said he was
afraid I had no critical faculty.'
Peggy smiles, not very gaily.
'He had better show them to me next time.'
'Do you think that he would have been better pleased if I had picked
holes in them?' inquires Prue anxiously. 'But how could I? They all
seemed to me to be perfectly beautiful; I did not see any holes to
pick.'
'Do you happen to have them by you?' asks Peggy. 'If so, we might look
them over together, and provide ourselves with some criticisms to
oblige him with when next he calls.'
'No--o,' replies Prue reluctantly; 'I have not. He took them away with
him, I think--I suppose that he wanted to read them to somebody
else--somebody more intelligent. Peggy'--after a pause--'do you suppose
that Miss Hartley has a critical faculty?'
The sisters are sitting, as usual after dinner, in their little hall.
Prue stretched upon her favourite oak settle; Peggy on a stool at her
feet.
'My dear,' with an impatient sigh, 'how can I tell?'
'I dare say it must be very tiresome to be always praised,' pursues
Prue, after a pause, in a not very steady voice--'particularly if you
are, as he is, of a nature that is always struggling up to a higher
level--"agonising," as he said to-day, "after unrealisable ideals."'
Peggy coughs. It passes instead of a remark.
'I have often thought how terribly insipid he must find me,' pursues
Prue, with a painful humility. 'But I suppose, in point of fact, the
more brilliant you yourself are, the more lenient you are to other
people's stupidity; and, after all,' with a distressingly apparent
effort at reassuring herself, 'he has known it all along. It is not as
if it came fresh to him; and I do not think that I am any duller than I
was last year. Of course, if I had profited by all the advantages I have
had in his conversation, I ought to be much brighter; but at least I do
not think that I am any duller--do you?' eagerly grasping her sister's
arm as if to rivet her attention, which, in truth, is in no danger of
wavering.
'No, dear; of course not,' very soothingly.
'Come and sit on the settle by me,' cries Prue restlessly; 'we can talk
more comfortably so, and I can rest my head on your shoulder. It is such
a nice roomy shoulder.'
'Yes, darling--yes.'
There is a pause. The moon looks in from the garden. A startle-de-buzz
booms by on the wings of the night, and once an elfin bat sweeps past on
the congenial dusk.
Public-domain text, read in full here on John Shaqi.
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