England -- Social life and customs -- 19th century -- Fiction; Manners and customs -- Fiction
“Well, no one objected to your money, I suppose?” interrupted Nellie.
“Pardon me. I was about to say ‘or not rich enough.’”
“But that’s the same thing.”
“The antithesis is certainly imperfect,” I admitted.
“Mr. Gay,” said Nellie, introducing the name with some timidity, “you
know who I mean?--the poet--once said to me that man was essentially
imperfect until he was married.”
“It is true,” I agreed. “And woman until she is dead.”
“I don’t think he meant it quite in that sense,” said Nellie, rather
puzzled.
“I don’t think he meant it in any sense,” murmured Dolly, a little
unkindly.
We might have gone on talking in this way for ever so long had not
Archie at this point dropped a large flower pot and smashed it to bits.
He stood looking at the bits for a moment, and then came towards us and
sank into a chair.
“I’m off!” he announced.
“And half are on one side, and half on the other,” said Dolly,
regretfully.
A sudden impulse seized me. I got up, put on my straw hat, took off my
coat, walked out into the sun, and began to move flower pots across the
broad terrace. I heard a laugh from Archie, a little cry from Dolly,
and from Nellie Phaeton, “Goodness, what’s he doing that for?” I was not
turned from my purpose. The luncheon bell rang. Miss Phaeton, whip and
twine in hand, walked into the house. Archie followed her, saying as he
passed that he hoped I shouldn’t find it warm. I went on shifting the
flower pots. They were very heavy. I broke two, but I went on. Presently
Dolly put up her parasol and came out from the shade to watch me. She
stood there for a moment or two. Then, she said:
“Well, do you think you’d like it, Mr. Carter?”
“Wait till I’ve finished,” said I, waving my hand.
Another ten minutes saw the end of my task. Panting and hot I sought
the shade, and flung myself onto my deck chair again. I also lit a
cigarette.
“I think they looked better on the other side, after all,” said Dolly
meditatively.
“Of course you do,” said I urbanely. “You needn’t tell me that”
“Perhaps you’d like to move them back,” she suggested.
“No,” said I. “I’ve done enough to create the impression.”
“And how did you like it?”
“It was,” said I, “in its way a pleasant enough illusion.” And I
shrugged my shoulders, and blew a ring of smoke.
To my very considerable gratification, Dolly’s tone manifested some
annoyance as she asked:
“Why do you say, ‘in its way’?”
“Because, in spite of the momentary pleasure I gained from feeling
myself a married man, I could not banish the idea that we should not
permanently suit one another.”
“Oh, you thought that?” said Dolly, smiling again.
“I must confess it,” said I. “The fault, I know, would be mine.”
“I’m sure of that,” said Dolly.
“But the fact is that I can’t exist in too high altitudes. The
rarefaction of the moral atmosphere--”
“Please don’t use all those long words.”
Public-domain text, read in full here on John Shaqi.
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