hair than wit." Once more, Judas is said to have had red hair, and hence, from time immemorial, there has been a strong antipathy to it. Shakespeare, in _As You Like It_ (Act iii., sc. 4), alludes to this belief, when he makes Rosalind say of Orlando:-- "His very hair is of the dissembling colour." To which Celia replies:-- "Something browner than Judas's." It has been conjectured, however, that the odium attached to red hair took its origin in this country from the aversion felt to the red-haired Danes. One reason, perhaps, more than another why this dislike to it arose, originated in the circumstance that the colour was thought ugly and unfashionable, and the antipathy to it, therefore, would naturally be increased by this opinion. Thus, in course of time, a red beard was also held in contempt, and was regarded as an infallible token of a vile disposition. Yellow hair, too, was formerly esteemed a deformity, and in ancient tapestries both Cain and Judas are represented with yellow beards, in allusion to which, in the _Merry Wives of Windsor_ (Act i., sc. 4), Simple, when interrogated, says of his master, "He hath but a little wee face, with a little yellow beard--a Cain-coloured beard." While alluding to beards, we may note that in former years they gave rise to various customs, many of which, however, have long ago fallen into disuse. Thus, dyeing beards was a common practice, and our readers may recollect how Bottom, in _A Midsummer Night's Dream_ (Act i., sc. 2), is perplexed as to what beard he should wear in performing his part before the Duke. He says, "I will discharge it either in your straw-coloured beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow." It was evidently quite as much the habit for gentlemen to dye their beards in Shakespeare's day as it is said to be for ladies to dye their locks now-a-days. When beards, too, were the fashion, to mutilate or cut off one was considered an irreparable outrage. Pursuing our subject, we find that the cheek is not without its quota of folk-lore; for, like the ear, nose, and eye, it is considered ominous when one's cheek itches. According to Grose, "If the right cheek burns, some one is speaking to the person's advantage; if the left, to their disadvantage." One may still occasionally hear the following charm uttered by a person whose cheek suddenly burns:-- "Right cheek! left cheek! why do you burn? Cursed be she that doth me any harm; If she be a maid, let her be staid; If she be a widow, long let her mourn; But if it be my own true love--burn, cheek, burn."