Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
General
Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
Felicia went within and opened the piano; Mrs. Tracy, following, sank
into the easiest chair; Mrs. North placed herself in the doorway, with
her face towards the moonlight. Dorothy remained outside, using the
hammock as a swing, pushing herself to and fro slowly by a touch on the
parapet now and then. On the other side of the terrace, in a
garden-chair, sat the second guest.
Felicia's voice was a contralto which had not a range of many notes, but
each one of the notes was perfect. Her singing was for a room only; it
was intimate, personal; perhaps too personal sometimes. The words were,
for her, a part of it as much as the melody.
"Through the long days and years
What will my loved one be,
Parted from me.
Through the long days and years?"
The music upon which these words were borne was indescribably sweet.
Dorothy had stopped swinging. But it was the melody that held her
vaguely given attention; she paid no heed to the spoken syllables.
"Never on earth again
Shall I before her stand,
Touch lip or hand,
Never on earth again,"
sang the voice, the strains floating out to the moonlight in a passion
of sorrow. Dorothy was now looking at the tower of Belmonte, near by. "I
wish our villa had a tower," was the thought in her mind. As her gaze
turned, she saw that Mackenzie's eyes were resting upon her, and she
smiled back at him, making a mute little gesture of applause.
"But while my darling lives,
Peaceful I journey on,
Not quite alone,
Not while my darling lives."
And now the music rose to that last courage, that acceptance of grief as
the daily portion of one's life, which is the highest pathos. Then there
was a silence.
Dorothy made her little motion of applause again, save that this time
the applause was audible; the words on her lips, ready to utter, were,
"How pretty that is!" Perhaps Mackenzie divined what these words would
be, for, with a quick movement, he rose and went to the end of the
terrace, where he stood with his back towards her, looking down the
valley. But Dorothy had accomplished her duty; she was perfectly willing
to be silent; she sank lazily back in the hammock again, and resumed her
swinging.
"Mr. Mackenzie, wasn't that exquisite?" said Mrs. Tracy's voice within.
Mackenzie, thus summoned, crossed the terrace and re-entered the
drawing-room. Felicia kept her seat at the piano; as Mrs. Tracy was
standing behind her, and as Mrs. North's head was turned away, she was
freed for the moment from feminine observation, and she therefore gave
herself the luxury of letting all the pathos and passion with which she
had sung remain unsubdued in her eyes, which, met his as he came up.
"Lovely, wasn't it? But so sad," continued Mrs. Tracy.
"Yes," Mackenzie answered; "it _is_ rather sad." Then, "What song is it,
Miss Philipps?" he inquired. "I do not remember having heard it before."
Public-domain text, read in full here on John Shaqi.
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