Dorothy, and Other Italian StoriesWoolson, Constance Fenimore
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Dorothy, and Other Italian Stories
Woolson, Constance Fenimore
Americans -- Italy -- Fiction; Italy -- Social life and customs -- Fiction; Short stories, American
"'Through the long days,'" answered Felicia, who was now looking at the
piano keys.
"Ah! And the composer?"
"Francis Boott."
"Ah! Francis Boott, yes. And the words?" His head had now its attentive
little bend.
"They are by John Hay." To herself she added: "You _shall_ stop your
little questions; you _shall_ say something different!" And again she
looked up at him, her eyes strangely lustrous.
And then at last he did say, "May I take the music home with me? You
shall have it again to-morrow. It is a very beautiful song."
Felicia rolled up the sheet and gave it to him, her hand slightly rigid
as she did so from repressed emotion.
At midnight the two guests took leave, Mrs. Tracy accompanying them down
to the entrance portal. The irregular open space, or piazza, before the
house had a weird appearance; the roadway looked like beaten silver; the
short grass had the hue and gleam of new tin; the atmosphere all about
was as visibly white as it is visibly black on a dark night.
[Illustration: "AND AGAIN SHE LOOKED UP AT HIM"]
"It's the moment exactly for our ghost to come out and clank his
chains," said the lady of the house. "This intensely white moonlight is
positively creepy; it is made for hobgoblins and sheeted spectres; the
Belmonte monk must certainly be dancing on the top of his tower."
"Oh no," said Felicia; "it's St. Mark's eve, so we're all under good
protection. Hear the nightingales."
She was in high spirits; her words came out between little laughs like
giggles. Mrs. Tracy watched the two figures cross the grass and turn
down the narrow passage whence the road descends in zigzags to Florence.
"Poor Felicia," she said, when she had returned up the stairs to the
drawing-room; "she is talking about St. Mark's eve, in order, I suppose,
to bring up the idea of St. Agnes's. It's late, isn't it? They must want
to walk!"
"They?" said Mrs. North. "_She._"
"Well, then, I wish she could," responded Mrs. Tracy. Going to the
terrace door, she looked out. "Where is Dorothy?"
"I sent her to bed; she was almost asleep in the hammock. If there is
one thing she likes better than another, it is to curl herself up in
some impossible place and fall asleep. Would you mind closing the glass
doors? The nightingales hoot so."
Mrs. Tracy closed and fastened the terrace entrance for the night.
"What do you mean by saying that you wish she could?" Mrs. North went
on. "You wouldn't have Alan Mackenzie marry that plain-looking,
ill-tempered old maid, would you?"
"Perhaps she is ill-tempered just because she is an old maid, Laura. And
as to looks--if she were happy--"
"Mercy! Are the Mackenzie millions to be devoted to the public charity
of making a Felicia Philipps happy?"
"Why, isn't it as good an object as a picture-gallery? Or even an orphan
asylum? Felicia would be a great deal happier than all the happiness
combined of the whole three hundred orphans out at St. Martin's at a
Christmas dinner," suggested Charlotte Tracy, laughing.
Public-domain text, read in full here on John Shaqi.
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