About half way between Cranston and Wandsborough, but in the latter parish, and in an angle formed by the footpath across the fields with a deep lane, stands a cottage--one of those picturesque, snug-looking nests which you shall see in no other country in the world--thatched, diamond-paned, and a bit of half garden, half orchard in front, and a background of elder trees and high hawthorn bushes. But, for all its external picturesqueness, an exploration of the interior of this abode would reveal a very poverty-stricken state of things. There is a neglected look about everything, and the rooms, bare of all but a few worthless sticks of furniture--too worthless even for the bailiffs or the pawnshop, seem to point eloquently to the sort of person their occupier would be--shiftless, hang-dog, ne'er-do-well, and not unfrequently drunken. It is the abode of Stephen Devine, _alias_ Gipsy Steve, whose acquaintance we have just made. At the moment when that worthy learns his fate in the Wandsborough Sessions room, there stands in the doorway of his abode a girl. Her dress, appearance, and the rough dusting-cloth in her hand seem to show that she has paused in the commonplace but laudable occupation of tidying up, and is there at the door for a breath of fresh air and a look round; and her coarseness of garb and surroundings notwithstanding, the girl would assuredly attract from the passer-by no mere casual glance, for she is of striking and uncommon beauty. Her almost swarthy complexion ought by all rules to go with jetty locks and dark flashing eyes, but it does not. The masses of hair crowning her well-carried head are light brown, just falling short of golden, and harmonise wonderfully with the smooth tawny skin, and her eyes are large, limpid and blue. The mouth, too, is not the least beautiful feature--full, red and sensuous. She is a tall girl, of splendid build and proportions, and the light, closely-fitting gown displays a figure which would have commanded a fabulous price in the slave-markets of old, and the easy, restful, leaning attitude as she stands in the doorway defines the swelling lines of her finely moulded form. A magnificent animal truly, and withal a dangerous one. Such is Lizzie Devine, the poacher's daughter.