The passer-by referred to above would assuredly pronounce her to be no
ordinary cottage girl, and he would be right. She had not inhabited the
humble abode where we find her more than a fortnight; for she had only
just returned from what the neighbours vaguely termed "foreign parts,"
which vagueness neither Lizzie nor her father were disposed to reduce to
definition. Here she was, anyhow, beneath "Gipsy Steve's"
poverty-stricken and highly disreputable roof, and the neighbours looked
at her askance, as in duty bound. For this did Lizzie care not one
rush. Her movements and pursuits were as mysterious as the antecedents
of her father. The gossips hate mystery--therefore, said the gossips,
she must have been after no good. Some thought she had been "a
play-actress," some thought even worse. Some thought one thing, some
another--but Lizzie didn't care what they thought. Neither she nor
Steve mixed with their neighbours--she from choice, he from necessity;
for he was disliked and feared as a quarrelsome and dangerous man. One
thing was certain, whatever occupation Lizzie had been pursuing, she had
returned home with empty pockets, and this ought to have told in her
favour, for the ways of evil are lucrative.
She stands in the doorway looking out over the sunlit fields, and her
thoughts are chaotic. At first she wearily wonders whether her father
will be discharged with a reprimand, and if not what she can pawn in
order to pay his fine. Then her reflections fly off at a tangent. Away
in the distance, the chimneys of Cranston Hall appear above the trees,
and on these the girl's clear blue eyes are fixed, while she indulges in
a day-dream. Yet she is a hard, practical young party enough, for she
is twenty-four, and has seen a very considerable slice of this habitable
globe.
Suddenly her frame becomes rigid, and the blood surges to her face, then
falls back, leaving it ashy pale. What has she spied to bring about
this convulsion? Only a man, of course.
He is advancing along the field path with an easy swinging stride. As
she gazes, a large red and white dog comes tearing over the further
stile and scampers joyously past his master. The girl stands in a state
of strange irresolution, her heart beating like a hammer. He has not
seen her--one step inside and he will have passed by. But her chance of
retreat is gone. While she is doubting, the man passes the gate, and as
he does so looks carelessly up.
Roland Dorrien is not wont to exhibit wild surprise over anything, but
the start which he gives as his eyes meet those of the girl before him,
proves that his astonishment is genuine.
"Lizzie!"
"You don't seem overmuch glad to see me anyhow," says the girl in a hard
tone, her self-possession now quite in hand again.
"I don't know about `glad.' But what on earth are you doing here, and
where have you dropped from?" And his eye ran over her from head to
foot, taking in her rough, though scrupulously clean, attire.
Public-domain text, read in full here on John Shaqi.
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