American literature -- 19th century -- History and criticism; American literature -- Catholic authors -- History and criticism
This life is fast passing away. Prof. Shaler, a competent authority,
tells us: “At present the strong tide of modernism is sweeping over the
old slave-holding States with a force which is certain to clear away
a greater part of the archaic motives which so long held place in the
minds of the people. With the death of this generation, which saw the
rebellion, the ancient regime will disappear.” It can never be lost
as long as the novels of Malcolm Johnston are extant. There, in days
to come, by the cheery ingle-nook, will a new generation live over in
his delightful pages the curious life of Georgia. Cuvier asked for a
bone to construct his skeleton. The readers of the Dukesborough tales,
Billy Downs, etc., will not only have the skeleton, but live men and
women preserved for them by the novelist’s elixir. He has known his
country and kept close to mother earth, having in his mind that “no
language, after it has faded into diction, none that cannot suck up
feeding juices secreted for it in the rich mother earth of common folk,
can bring forth a sound and lusty book. True vigor and heartiness of
phrase do not pass from page to page, but from man to man.... There is
death in the dictionary.” That the Colonel’s language has sucked up
feeding juices secreted for it in the rich mother earth of common folk
will be seen on every page. Let us take at random the communication of
Jones Kendrick to his cousin Simeon Newsome, as to S’phrony Miller. Sim
is a farmer lad overshadowed by the overpowering “dictionary use” of
his Cousin Kendrick. Sim has gone a-wooin’ S’phrony. Kendrick hearing
of this and urged by his mother and sister, comes to the conclusion
that he would like to have S’phrony himself. This important fact he
admits to Cousin Sim in the following choice morsel: Sim is overseeing
his hands on the plantation; Kendrick approaches and is met by Sim.
Kendrick speaks:
Public-domain text, read in full here on John Shaqi.
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