Then the luncheon bell rang, and I was conducted to my room by a
blushing youth in livery. I was burning to know who “Lilia” was—for that
brief introduction was all that I had had—but I could not ask the
_gauche_ young footman (evidently a “new hand”). So I washed my hands
and wondered, as I gazed round the quaint old room. It must be an old
house, although from the lawn it looked modern, and foreign, with its
brilliantly white walls and bright green shutters. The flooring, though
spotless, was old; the ceiling low. There was a fourposter of carved
wood black with age, and the mahogany furniture, which shone like
mirrors, was of an ancient pattern. White dimity hung about, and there
was a fresh scent of lavender.
Going downstairs, I noticed that the shallow stairs were of old oak,
likewise the balustrade; but the dining-room, to which Sir Roderick, who
met me in the hall, escorted me, was of newer fashion—a square room with
massive furniture, and hung with paintings.
“All Pyms,” said my host, following my eyes as, seated at “Lilia’s”
right, I ate my soup. Then ensued some talk about the various dark
visages that frowned down from the black canvases. To all appearance,
misanthropy ran in the family. Most of these bilious-looking ancestors
seemed to have done something strange; and the nearer they had drifted
to contempt of social law, the more unctuously Sir Roderick related
their exploits. Meanwhile the gentle Lilia listened with wide-open eyes
and evident interest.
“But that? Surely that one is not a Pym!” I said, indicating a portrait
in an oval Florentine frame that hung conspicuously over the
mantelpiece—in fact, in solitary glory, while the other portraits were
somewhat huddled together.
“And pray, why not?” asked my host dryly, after a moment’s pause.
I looked again. A sunbeam lighted up the laughing face of a fair young
man, with large blue eyes and the very much-curved lips which always
produce the effect of a sneer. To me they are painful, recalling the
cruel _risus sardonicus_ which I have never seen without distress.
“Why not?” I repeated, stupidly. “Oh! because he is so unlike all the
others, I suppose.”
“Do you not see any likeness?” he quietly asked presently, after he had
carved a fowl and insisted on giving me the breast.
I looked around.
“Oh, not to the pictures—to Lilia!” he cried, impatiently.
“No, I cannot say I do,” I said, glancing at my hostess.
I smiled; but I did not feel at all like smiling. My—was it dread?—to
find so young a girl the wife of so old a man made me flinch at any
suggestion which strengthened such a possibility.
“They are both Pyms!” he said, quite irritably. “You have evidently no
eye for likenesses. Of course, there are dark Pyms and fair Pyms. The
fair Pyms are upstairs in a corridor.”
“Women,” said the fair Lilia explanatorily to me. “Papa dislikes women
so much, he won’t have their portraits about him.”
Public-domain text, read in full here on John Shaqi.
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