Drawing Rooms, Second Floor, and Attics: A Farce, in One ActMorton, John Maddison
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Drawing Rooms, Second Floor, and Attics: A Farce, in One Act
Morton, John Maddison
Comedy plays; English drama -- 19th century
BUNNY. (_before entering_) Not in her room? (_enters_) Oh! here you
are, and dressed at last! and high time too, considering that our
guests have all arrived--except Cockletop, and Cockletop's nephew,
from Cambridge--and what makes Cockletop, and Cockletop's nephew from
Cambridge, so late, I can't imagine. (_seeing CAPTAIN_) Eh? Yes!
Captain Hardaport, I declare, that we had the pleasure of meeting,
three months ago at Plymouth! this is an unexpected pleasure--isn't
it, Carry?
CARO. Yes, papa.
_Enter ARABELLA and PHOEBE, at side, L._
ARABEL. (_aside_) I can't see anything of Mr. Sharp in the street
BUNNY. Perhaps you and your charming sister, Miss Arabella, will join
our little party below?
CAPT. H. }
} Delighted! I'm sure!
ARABEL. }
BUNNY. That's right! Miss Phoebe, as you have undertaken the
refreshment department, I presume, I need not remind you that the
cakes are totally incapable of handing themselves about; neither can
the negus ladle itself out.
PHOEBE. (_aside_) I must speak to poor Triptolemus. (_aloud_) I'll
just shut the window first.
BUNNY. Nonsense! I'll do that. (_rain_) Holloa! it's pouring with
rain. (_closes the shutters and bolts them_) There! Now then! (_he
offers his arm to ARABELLA--the CAPTAIN gives his to
CAROLINE--exeunt--PHOEBE following, and still looking anxiously at the
window as she goes out_)
PHOEBE. Oh! how I should enjoy myself, if I wasn't so uneasy about my
poor, dear Triptolemus! (_rain heard_) Oh, dear! oh, dear! he'll be
_drownded!_ I'm sure he will.
(_Exit door in flat--scene draws and discovers_)
SCENE FOURTH.--_Drawing Rooms; loud double knocks, bells, &c., as
scene opens; an apartment, with large folding doors in C., thrown
open, and shewing a corridor beyond, lighted with a candelabra or two
attached to the wall, and supposed to lead to the ball room at R.; the
apartment itself consists of a high window, with hanging curtains at
R. 2 E.; before and close to the window is a table, covered with
pastry, cakes, decanters, wine glasses, &c.; at L. are two small doors
close to each other; chairs, sofas, &c.; a card table in centre of
stage; two other card tables near wings, R. and L._
_At rising of curtain, CAROLINE is seen in the corridor at back,
receiving the GUESTS, who pass across towards C.; she accompanies
them; JONATHAN is standing before the sideboard, loading a large tray
with cakes and glasses of negus; he is dressed in an old-fashioned
long-tailed brown coat, a pair of blue plush breeches, white
stockings, and ankle boots, very high shirt collars above his ears; as
he fills the tray, he occasionally eats a cake and drinks a glass of
negus--Enter BUNNY (with a light flaxen wig) at C., followed by
PHOEBE, carrying cloaks, shawls, hats, &c., &c._
BUNNY. Now, Phoebe, take those articles of apparel into my study--make
haste. (_PHOEBE goes to one of the two small doors at back, L._) Not
there; don't you know that little door leads to the back staircase?
Public-domain text, read in full here on John Shaqi.
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