Drawing Rooms, Second Floor, and Attics: A Farce, in One Act — John Shaqi
Drawing Rooms, Second Floor, and Attics: A Farce, in One ActMorton, John Maddison
General
Drawing Rooms, Second Floor, and Attics: A Farce, in One Act
Morton, John Maddison
Comedy plays; English drama -- 19th century
BUNNY. Stop; precede me with your lantern. (_JONATHAN goes rapidly out
at door, C., and disappears_) Holloa, stop for me, sir! (_about to go
out through door--turns to PHOEBE_) Remember, Miss Phoebe, I depend on
you. (_he goes out, and immediately a noise is heard as of a person
falling down stairs_)
PHOEBE. Ha, ha, ha! uncle little suspects that I've written to my dear
Triptolemus at Cambridge! but I wasn't so imprudent as to tell him
where I lived--no, no, I only sent him the address of our
establishment in Cranbourne Alley, and----
VOICE. (_outside_) Phoebe, Phoebe!
PHOEBE. That's our third floor's voice. Is that you, Miss Arabella?
Come in.
_ARABELLA HARDAPORT enters at door, L. C._
ARABELLA. I've got three orders for the theatre to-night, will you
come? My cousin, Mr. Luke Sharp, has volunteered to escort us.
PHOEBE. (_aside_) Another cousin! that makes the thirty-seventh that
_I_ know of. (_aloud_) Much obliged, but I'm engaged--I'm going to Mr.
Bunny's ball.
ARABEL. Well, if you won't come with us, I'll say good-bye--Oh, stop!
do step down a minute, there's a good girl, and tell me if my new pork
pie suits me.
PHOEBE. Pork pie?
ARABEL. Yes--my hat; it's a present from Cousin Benjamin.
PHOEBE. (_aside_) Thirty-eight!
ARABEL. Do oblige me, there's a dear. And, Phoebe----
PHOEBE. Well!
ARABEL. I _am_ so puzzled which gown to put on; I know I look best in
my peach blossom silk that cousin George gave me; and yet I ought to
wear my light blue satin, for cousin Frederick's sake.
PHOEBE. (_aside_) Forty! (_aloud_) Well, I'll step down with you; but
I can't stop long.
_They both go out at L. C._
_Here TRIPTOLEMUS BROWN is seen to get out of one of the chimney pots,
and then to clamber in at the window in a very excited and exhausted
state--his dress, face and hands, covered with patches of soot--he is
without his hat._
Public-domain text, read in full here on John Shaqi.
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