Drawing Rooms, Second Floor, and Attics: A Farce, in One ActMorton, John Maddison
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Drawing Rooms, Second Floor, and Attics: A Farce, in One Act
Morton, John Maddison
Comedy plays; English drama -- 19th century
TRIPT. Wheugh! I've done it! I don't know how, but done it I have.
Talk of exploring the interior of Africa! pooh! that's a joke to the
inside of a chimney! (_wiping his face with his handkerchief--shaking
his coat, &c._) Well, if this is the hospitality that the Metropolis
offers to a youthful and inoffensive chemist and druggist, I shan't
avail myself of it again in a hurry. I left Cambridge for London this
morning, in consequence of a telegraphic message I received from my
uncle, Cockletop, grocer and cheesemonger--to catch the train, I lost
my breakfast; the only available refreshment was a cigar and box of
lozenges; under the influence of these exhilirating sweetmeats, I soon
found myself at the abode of my aforesaid uncle Cockletop, who, on my
taking a chair on a Cheshire cheese, at once informed me that his
motive in telegraphing for me, was to unite me in the bonds of wedlock
with a certain Miss Caroline Bunny; his words literally transfixed me
to my chair--my cheese I mean. I was about to tell him that the object
of my unalterable affection was Phoebe Furbelow, when he cut me short
by directing me to betake myself and carpet bag to No. 17,
Compton-street, Soho--there it is-- (_pointing out of the window_)
where he had secured me a small but airy back room, immediately under
the tiles; telling me to make myself as smart as possible, in order
that he might take me with him to a ball, which, it seems, the father
of my _intended intended_ is to give this evening. I promised implicit
obedience, and proved it, by starting off in the opposite direction
for Cranbourne-alley, where Phoebe told me she pursued the art of
bonnet-making. I found the shop, and was endeavouring to catch a
glimpse of her beloved profile, when I suddenly received a terrific
blow--from a foot--behind--which almost sent me head-first through the
shop window. I turned round and found myself face to face with a
ferocious looking individual, almost as tall as the lamp-post, and
considerably stouter. (_mechanically wiping his face with the linen he
takes out of the clothes basket, and blackening it_) Well, my first
impulse was to come Tom Sayers over him, but it suddenly occurred to
me that the brawny ruffian before me might be a husband and a father,
I therefore spared him, and walked slowly away--as fast as my legs
could carry me! but he overtook me at the door of my lodgings. How I
got up three flights of stairs, I don't know; but I'd no sooner
precipitated myself into my attic, and bolted the door, then a voice
demanded instant admission. Instinctively I seized the poker, the
poker reminded me of the fireplace, the fireplace of the chimney--away
I flew--up the flue, and I was saved! (_wiping his face again with the
clean linen, and blackening it_) I wonder if the bulky miscreant is
still there? (_looking out at window_) I do declare he's actually
lighted the fire! I see the smoke coming out of the chimney! Ecod!
Public-domain text, read in full here on John Shaqi.
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