Drawing Rooms, Second Floor, and Attics: A Farce, in One Act — John Shaqi
Drawing Rooms, Second Floor, and Attics: A Farce, in One ActMorton, John Maddison
General
Drawing Rooms, Second Floor, and Attics: A Farce, in One Act
Morton, John Maddison
Comedy plays; English drama -- 19th century
CAPT. H. (_without, in a loud voice_) Don't tell me! I know she's
aloft; so clear the gangway, you lubber!
TRIPTOLE. }
} (_together_) That voice!
ARABEL. }
TRIPTOLE. It's he! my vampire! my brawny ruffian!
ARABEL. My brother! and I, who thought he was catching herrings!
TRIPTOLE. Not he; he was trying to catch _me_!
CAPT. H. (_outside_) Now, Arabella, my girl, shew us a light, will
you?
(_the handle of the door is heard to turn, and as the door slightly
opens, TRIPTOLEMUS precipitates himself against it, shuts it, and
draws the bolt_)
ARABEL. What's to be done? if he comes in, you're a dead man!
TRIPTOLE. And if I go out, I'm _another_ dead man!
(_here the door is violently shaken_)
CAPTAIN HARDAPORT. (_in a thundering voice_) Now then, look alive!
TRIPTOLE. (_in a loud whisper to ARABELLA_) Say you're ill in
bed--with the measles--or the nettle rash.
CAPT. H. (_with another bang at the door_) I can't stop here all day,
shiver my timbers if I can--so open the door.
TRIPTOLE. Don't!--let him shiver his timbers. You can form but a faint
idea of the exquisite delight I should feel at his shivering his
timbers.
CAPT. H. (_without_) You won't let me in. Then here goes!
(_a tremendous shaking and knocking at the door--TRIPTOLEMUS, in an
agony of fear, rushes to the window, throws it open, puts out one leg,
then looks down, and hurriedly draws it back again--here other and
more violent blows against the door, which is burst open at the very
moment that TRIPTOLEMUS rushes frantically into ARABELLA'S room, at
R. 2 E.--CAPTAIN HARDAPORT, in a rough pea jacket, tarpaulin coat, and
the other peculiarities of a sailor's costume, comes in, looks about
the room, then walks up to ARABELLA, looks her full in the face, then
looks again about the room--ARABELLA, who has thrown herself on her
chair, has snatched up some worsted work, and pretends to be very busy
over it_)
CAPT. H. You were talking to somebody.
ARABEL. (_looking up from her work, and pretending great unconcern_)
Did you speak?
CAPT. H. Yes; I said you were talking to somebody.
ARABEL. I was.
CAPT. H. Who?
ARABEL. Myself; 'tis a habit I've got when I'm alone and want a little
conversation.
CAPT. H. Umph! it sounded to _me_ like a man's voice. (_with
intention, and looking intently at her_) Umph! (_suspiciously_) Now
listen to me, sister Bella. (_taking a chair and sitting down_) You
must know---- (_here a noise is heard in room, R. 2 E._) What's that?
ARABEL. (_striving to conceal her alarm_) What?
CAPT. H. That noise.
ARABEL. Where?
CAPT. H. (_looking suspiciously at ARABELLA, and then pointing to
room, R. 2 E._) There.
ARABEL. (_quickly_) Oh! it's only Mrs. Sheepshanks, the charwoman,
putting my room to rights; she always comes on Mondays.
CAPT. H. This is _Friday!_
ARABEL. Mondays and Fridays. (_aside_) I'm more dead than alive!
Public-domain text, read in full here on John Shaqi.
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