Dress design $b: an account of costume for artists & dressmakers — John Shaqi
Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
A square effect was aimed at in the 13th century with tight side-plaits
bound into a shape or netted hair was strapped to the head as in Fig. 11
(see p. 65). A fall of fine material softened the hard effect, and many
ladies of quality bound the face, neck, and head in the wimple of fine
linen, sometimes gathering this to the same quaint shape of the netted
hair. I give a variety of these settings on page 65. A kerchief of linen
coming round the neck was brought up tightly round the face and
festooned on the top of the head, while another piece was pinned close
to the brows and fell loosely to the shoulders, being often held on by a
circlet as well.
This character was maintained till the early 14th century, when a style
of high peaked hats came into evidence, one shape of which became the
most imposing feature of historic costume in the 15th century. It was
still but a simple form in the middle of the 14th century, for another
shape first gained predominance. Early in this century also may be noted
a curious shape like the cap of liberty, usually with a long tail at the
back as drawn on page 59. This carried design to the eccentric forms of
the pig-tailed hood, and then the rival of the high peaked hat took its
place towards the end of the 14th century--a cushioned head-dress, which
rose and divided in a hornlike structure. It started as in Fig.
25, and I have illustrated its progress; the veil draping was a great
feature, giving plenty of scope for individual fancy. It was, as a rule,
richly decorated with gold and jewels, and the hair was completely
enclosed in a gold net and a tight-fitting cap to hold this erection.
Large drop ear-rings were much worn, and a fine chain of gems encircled
the neck or fell to the breast.
[Illustration: Plate IV.--
(_c_) Youth's Jacket of Linen Embroidered in Worsted. 1635-65.
_Pattern, see p. 299._
(_d_) Linen Male Jacket Embroidered with Gold and Silk. 1600-40.]
[Illustration: FIG. 6.--Tenth to thirteenth century.]
[Illustration: FIG. 7.
_Henry II._
_John_
_Henry I._
_Richard I._]
[Illustration: FIG. 8.--Twelfth to fourteenth century.]
In the 10th century a long close-fitting robe was in fashion, sometimes
with a deep =V=-shaped neck opening, though usually the neck was cut to a
round form. Some sleeves were tighter with a small cuff, but usually the
outer garment had a falling sleeve with a square or round end showing
the tight undersleeve. The outer sleeve varied much in length, from the
elbow or hand dropping even to the ground; it was narrow and widened
through the 14th century, when its edge was cut into various patterns as
in Fig. 18 (see p. 79). In the 13th century we notice a long sleeve
opened at the elbow for the under sleeve to come through, which
beautiful style continued to the middle of the 17th century.
[Illustration: FIG. 9.
_Norman, 12th century_
_Saxon, 12th century_]
[Illustration: FIG. 10.--Fourteenth century, 1st half.]
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