Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
[Illustration: FIG. 11.--Fourteenth century, 2nd half.]
With the 10th century came the first corselet from the waist to the hip,
clasping a loose tunic with an under-dress taking a long pointed
train. The manner of tucking the tunic under the corselet when it was
worn over it, and so creating festoons, is worthy of notice as
interesting in arrangement and design.
The 13th century parti-coloured and striped dresses foreshadowed the
heraldic fashion, which must be studied for its proportion and treatment
of decorative colour-values in counterchange to get the true value of
its noble effects.
A great feature now appears in the chasuble-shaped front or setting to a
closely cut jacket. This ultimately becomes the decorative stomacher
through the later periods, and it is very interesting to note its
development.
In the 13th century this jacket was a fur construction of a long simple
form opened at the sides to the hips for the sleeves to come through; it
had a straight hem or was rounded at the front points, and a chasuble
form of it was treated as in Fig. 13 or in conjunction with a short
cape; it was chiefly a decoration of ermine. It grew into a complete
jacket, and in the 14th century it was heavily ornamented with gems; and
the simple front, from being a feature outside the jacket, was later
often enclosed at the sides. The jacket itself is beautiful in form and
proportion, and the curved band of design over the hips makes a nice
foil to the curved front. This pattern is plainly derived from the
effect of the rich girdle that was at first seen through the side
openings and few jackets are without it, the usual shaping of the neck
with most of these was square.
[Illustration: FIG. 12.--Nos. 1 to 7, 14th century. Nos. 8 and 9, 15th
century.]
In the first quarter of the 14th century the setting of the neck was of
a round shape, and after 1350 a raised or curved form is favoured. Later
still, and with the hornlike head-dress, a very deep =V= shape, open
almost to the belt was the mode, often being filled in with velvet. At
the same time some began to take up the fashions of a very high collar
and a round-shaped body and sleeves, as in Fig. 24 (see p. 89), with
which a wide pointed belt is seen. Some robes were opened in front up to
the height of the girdle, though many dresses were worn without girdles
after the 12th century. Decorated pockets are sometimes seen in the
later period, and an interesting hand-covering or falling cuff came with
them.
[Illustration: FIG. 13.--Nos. 1 to 3, 14th century. Nos. 4 to 9, 15th
century.]
The cloak as described in the 10th century still continued till the
12th, as well as the light wrap which may almost be placed with any
period, though mostly a feature of the more classic styles.
Skirts and underskirts were worn with trains. They were mostly banded
with wide borders of ornament up to the 13th century, the fullness being
often gathered to the back and front.
Public-domain text, read in full here on John Shaqi.
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