Dress design $b: an account of costume for artists & dressmakers — John Shaqi
Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The long-pointed shoes began to increase all through the 13th century,
and in the 14th century they reached their greatest length, when the
points were often tied up to a garter just below the knee. Wooden clogs
were much used, and were often considerably raised. Iron circular
supports were also in use at the end of this time; these were the
foretaste of the eccentric chopins of the 16th century, which were more
favoured on the Continent than here. The pointed toes also were made to
curl outwards, giving a splay-footed effect, late in the 14th century.
[Illustration: FIG. 20.--Fourteenth and fifteenth centuries.]
CHAPTER IV
FIFTEENTH CENTURY. FEMALE.
We have now arrived at the height of eccentric fashion in mediæval
head-dress. The hornlike creations, studded with jewels, and peaks of
wondrous height, both draped with fine muslins and often completely
shutting away the hair from sight, had a supporting cap which mostly
came over ears and cheeks, and a clutch is seen on the forehead, at
times concealed by a jewel. The hair was generally allowed to fall loose
under the back drape, or a long plait is sometimes seen at the back with
the first-named head-dress. The back drape setting from the brow down
the back was well conceived to balance the high spire, but it seems to
have been discarded during the reign of Edward V, and light veil falls
were worn which often came half over the face. In Henry VII's time the
extreme fashion came in the shape of a closely-fitting curved cap,
with a fall of material over the back. The ermine-trimmed jacket was
still in favour to the middle of the last-named reign, when it was worn
low down over the hips.
[Illustration: FIG. 21.--Fifteenth century, 1st half.]
[Illustration: FIG. 22.--Middle of fifteenth century to sixteenth
century.]
[Illustration: Plate VII.--
(_a_) Herald's Coat. Embroidered Velvet and Silk. 1st half 17th
Century. Measured pattern, page 301.
(_b_) Lady's Bodice of Black Velvet. 1630-60.
_Measurement, see p. 297._
(_c_) Black Silk Jerkin. 1640-60.]
[Illustration: FIG. 23.--Fifteenth century, 1st half.]
The chief dress of this period had a =V=-shaped collar-front meeting at
the waist, mostly made in black material or fur. It was wide on the
shoulder, and seems to have been stiffened to set out; the =V= shape was
generally filled in with velvet, and a very wide band encircled the
waist; a girdle is occasionally noted. The keys' pocket and other
requisites were generally carried on the underskirt during these times.
The skirt was full and gathered to the back in a train, the gathers
often running into the bodice; a very wide border is prevalent, even to
the middle of the thigh. Tight sleeves are usual, and hanging sleeves
were worn, mostly set in a very short sleeve, which assume a puff-shape
in Henry VII's reign; long cuffs, almost covering the hand, are seen on
many sleeves.
[Illustration: FIG. 24.--Fifteenth century, 2nd half.]
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