Dress design $b: an account of costume for artists & dressmakers — John Shaqi
Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
[Illustration: FIG. 25.--Fifteenth century, 2nd half.]
[Illustration: Plate VIII.--(_a_) (_b_) (_c_) Three Suits. Period
Charles II.]
[Illustration: FIG. 26.--End of fifteenth century.]
Modes of opening the skirt up to the hips occasionally showed
themselves, and even the sides to the hips are seen laced. In the
earlier dress, about 1485, the neck setting of dress became very
square, and was filled with fine-drawn lawn. The square shape rises in a
curved centre before the end of this period, and a close-fitting robe
was worn with a girdle, often opened up the sides. The short upper
sleeve and full outer sleeve so much in vogue gave place to a divided
upper and lower sleeve, laced or tied with ribbon, with puffs of lawn
pulled through the openings at shoulder and elbow, and down the back of
the forearm. Slashes are now seen in most sleeves, and an Italianesque
character pervaded the fashion.
High, soft boots and shoes of a similar shape to the male description
were worn, and changed when the square-toe shoes came in.
Through this period there are many interesting details of costume to
study, while gilt tags, finishing laces, and ribbons are to be remarked
from this period.
FIFTEENTH CENTURY. MALE.
[Illustration: FIG. 27.--Fifteenth century.]
[Illustration: FIG. 28.--Fifteenth century, 1st half.]
[Illustration: FIG. 29.--Middle of fifteenth century.]
The chief shapes to mark in this century in male head-dress is the
increased height of the tall hats which rise to vie with the female
fashions. We still see a round hat with a rolled edge and long fall
over one side, besides shorter folds in the crown, both scalloped or
foliated at the edge, and this shape may be noted till about 1460. Some
of these hats were made without a crown, as in Fig. 28 (see p. 94); the
roll was decorated, as a rule, with jewelled studs. A top hat, something
like our present shape, appears, but more belled at the top and also a
padded, rolled brim. It was made in various rich materials, and often
decorated with jewels. The peak-fronted hat still continued to be
favoured till about 1480, its chief difference being a crown more
eccentric in height. Tall cylinder hats, with folded brims or no brim,
and other shapes are illustrated. The variety is so great through this
period that it is well to study the vagaries of fashion which I have
illustrated in sequence as far as possible; they were mostly used till
about the last quarter of this century, when the low-crowned flat hat
with turned-up brim began to secure the fashion. This was generally worn
tilted on one side and often over a scarlet skull-cap. A large bunch of
plumes came in with this hat, set up from the front, curving backwards,
and giving a very grand effect: with most of the tall hats the
feather was set at the back.
[Illustration: FIG. 30.--Fifteenth century.]
[Illustration: FIG. 31.--Fifteenth century, 1st half.]
[Illustration: FIG. 32.--Fifteenth century, 2nd half.]
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