Dress design $b: an account of costume for artists & dressmakers — John Shaqi
Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
Sequins appear on work from Henry VIII's time, and were much appreciated
by the Elizabethan workers, who no doubt found the trembling glitter
added much to the gold-lace settings and delicate veilings: long
pear-shaped sequins were favoured for this. Sleeves were often separate,
and could be changed at will.
SIXTEENTH CENTURY. HENRY VIII. FEMALE.
The hair at this period was parted in the centre and gathered into a
plait at the back; it was also seen rather full and waved at the sides
of the head, and a small circlet was often carried across the brow. A
cap of velvet or gold brocade, sometimes with a padded front, curved
over the ears to the neck, keeping the shape of the head. Over this
again a velvet fall was turned back from the front or shaped as in the
illustration, reaching to the shoulder. These falls were also bound into
set-out shapes, which gave many picturesque effects.
Dress had now taken a new phase, and the set bodice became a lasting
feature. At this period the waist was rather short, and the neck,
arranged in a low square or round form, generally filled in with
gathered lawn. The upper part of the sleeve was often divided from the
bodice by ties with lawn puffs, and was made in a full circular form,
slashed or puffed and banded, with a tight-fitting sleeve on the
forearm. Another type divided the upper and lower part of the arm at the
shoulder and elbow, the forearm being effectively tied or laced, and
the under lawn sleeve pulled through; small slashings are also seen on
these. At times a bell-shaped sleeve was worn, showing a slashed or
puffed under one. Many dresses were still cut in one, and were often
high-necked; with these usually a girdle or band of drapery was worn,
and some skirts opened up the front, showing a rich underskirt.
[Illustration: FIG. 40.--Sixteenth century, 2nd quarter.]
[Illustration: FIG. 41.--Period Henry VIII.]
Full skirts, heavily pleated at the waist, were worn in the earlier part
of this reign, banded in varying widths of designs to about the knee;
but a new development was in progress--a stiff, bell-shaped dress, set
on hoops over a rich underskirt which usually bore a jewelled band down
the centre, the upper one being divided in front to display this
feature. The bodice with this type becomes longer in the waist, and was
made on a stiff corset. Gloves are occasionally seen, serrated at the
cuff-end. Shoes of the slashed character and square toes were also worn
by the ladies, but many preferred a shoe with a moderately rounded toe.
The first mention of a leather umbrella is 1611, but this is a rare
instance, as they were not in use till the 18th century here, though
they are noted in continental prints during the 17th century.
[Illustration: FIG. 42.--Sixteenth-century modes, 1st half Henry VIII.]
SIXTEENTH CENTURY. HENRY VIII. MALE.
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