Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The same shapes apply to costume during the Commonwealth, though a
sterner effect was given by the choice of plain decoration and less
colour. A small or a large plain collar, and the disappearance of
slashings on the coat, and a longer skirt became noticeable. A very
high tapered hat, with stiff circular brim, was worn by the Puritans,
and little, close, black hoods were much favoured. A general reaction
from gay extravagance set in.
SEVENTEENTH CENTURY. CHARLES II.
FEMALE.
The hair was set out from the head on combs with falling ringlets, and
several small flat ringlets were placed on the forehead. The back of the
hair was plaited into a knot, and pearl strings were interlaced, or
ribbon loops caught in at either side. Toward 1680 the hair was worn
tightly curled and fulled out into a round shape with a curl or two
falling on the front of the shoulders; small feathers or long feathers
were also worn. Hats were of a similar shape to those of the last reign,
with a stiffer and narrower curved brim; but the chief head-dress was a
large hood faced with another material, which latter was tied under the
chin; these mostly formed part of a cape also.
[Illustration: FIG. 72.--Period 1650-1685.]
[Illustration: Plate XVII.--
(_a_) Silk Suit. 1765-80.
(_b_) Quilted Dress. 1700-25.
(_c_) Silk-embroidered Suit. 1765-80.]
[Illustration: FIG. 73.
1, 2, 3, 4.--Back and Front of two Corset Bodices. Period Charles II.
5, 6.--Two Corsets. Period Charles II.
7, 8.--Two Bodice types. Period Charles I.]
The bodice again became much longer and of a pointed shape, but many
corset bodices took a round point, and a round neck coming well off
the shoulders became general, usually decorated with a plain wide band
of lace. Ruffs and collars were no longer seen amongst the upper
classes. Very full sleeves and large opened sleeves were tied or clasped
over full lawn ones, and at times separated from the shoulders, being
caught effectively with jewels. Groups of ribbons were placed at the
breast or point of the bodice, and the ends of sleeves or shoulders,
besides at the fronts of the outer skirt when divided, also in the
gathering of the lawn sleeves. Stomachers were not much worn, but a
drape of soft silk was caught here and there round the neck of bodice,
and large draperies were clasped to the shoulders. Loose robes and robes
shaped to the figure, opening down the front from the neck even to the
waist, with a clasp or several holding them together; these were worn
over a quilted linen corset laced in front as in the illustration, but
the bodice was often formed on a corset. Long gloves and mittens were in
use, and small muffs with ribbon loops on the front were carried.
High-heeled shoes with very long square toes were affected in imitation
of the male shoe, but most ladies now began to wear a very pointed
shoe.
[Illustration: FIG. 74.--Sleeve treatments. Period Charles II.]
SEVENTEENTH CENTURY. CHARLES II.
MALE.
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