Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The hair was now mounted high on top and the front parted with two
curls, the rest of the hair being bound on top, or a curl was arranged
on either shoulder. A goffered frill head-dress, set on a cap, rose very
high, and a long fall of lace, or lappets, came down on either side from
the cap, or was gathered in like a small hood at the back. Bare
shoulders now began to disappear, the bodice shape coming over the
shoulder to a =V= shape enclosing a stomacher, which was sometimes tabbed
or shaped at the point. Many dresses were made in one length, caught
together at the waist with a band; the fronts of these skirts were
looped back high up, creating a pannier-like fullness at the hips, and
narrow hoops came in to set out the skirts, many of which were heavily
embroidered with gold. The Watteau-back dress started in this reign; a
very early specimen, at the Victoria and Albert Museum, is most probably
of this time (Fig. 85, A). The sleeves worn to the elbow increased in
width from the shoulder, and were set with large narrow cuffs gathered
with a jewel or bow on the front of the arm. Hoods and cloaks of the
same character as described for the last reign continued, and light
sticks were carried by the ladies. Very pointed shoes were worn, with
large high heels, the top of the front flap in some being shaped into
points. Black masks were frequently used, some having long lace falls.
Rather small muffs were still the fashion, and beautifully decorated
short aprons became a feature with the dress.
[Illustration: FIG. 80.--1688-1698.]
SEVENTEENTH CENTURY. WILLIAM AND MARY. MALE.
Wigs of the same long character continued, and were parted in the centre
with a raised effect, and variously shaped caps, with turned-up fold or
brim, were worn when the wig was taken off.
The beaver or felt hat, turned up three-cornerwise, was now in general
use. It is often seen with the brims loose, or sometimes down,
especially amongst the lower classes. Both small shapes and large were
worn.
[Illustration: Plate XIX.--
(_a_) Silk Brocade Dress. 1775-85.
(_b_) Embroidered Silk Jacket. 1775-90.
_Pattern, see p. 326._
(_c_) Brocade Jacket. 1780-95.
_Cap pattern, see p. 331._
_Coat pattern, see p. 348._]
[Illustration: FIG. 81.--Period 1680-1690.]
Black ties across formal lace cravats, and long lawn cravats, edged with
lace, one end of which was sometimes caught up loosely through the
large buttonhole of the coat were worn. Waistcoats were left open well
down to the waist; some of these were nearly of the same length as the
coat, the skirt being often edged with deep gold fringe.
Public-domain text, read in full here on John Shaqi.
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