Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
A smart bow was worn crosswise over the folded lace fall at the neck.
The coat was a very long square shape to the knees, the stiff skirt
often set out over rather full breeches, which were sometimes "shorts,"
and just above the knee, the stocking being often brought up above the
knee, with a garter just below. The sleeves were short, above or below
the elbow, with a turned-up cuff, leaving the full-gathered lawn sleeve
with a lace ruffle to show at the wrist. A sash encircled the waist, and
often shut in the sword-belt, which hung from the right shoulder. The
coat had buttons from the neck to the bottom of the skirt, though the
lower buttons were seldom fastened; the sides of the skirt were opened
up about 11 inches, and also the back seam to the same height; most
seams were heavily decorated with gold, silver braid, or lace, and the
pockets were placed rather low down towards the front of the skirt, and
were sometimes set vertically.
[Illustration: Plate XVIII.--
(_a_) Brocade Bodice. 1770-85.
(_b_) Flowered Silk Dress. 1750-70.
(_c_) Silk Brocade Bodice. 1780-95.]
[Illustration: FIG. 79.--Period 1688-1702.]
Long round capes were still worn, without sleeves, and a collar turned
down about 4 inches.
Shoes of a similar shape to those of the later Charles II type were in
use, but the heels became larger and the toes not so long; the top of
the front was sometimes shaped and turned down. Heavy boots to the knee,
with large curved tops, were also in favour, as in the illustration
(Fig. 71).
SEVENTEENTH CENTURY. WILLIAM AND MARY. FEMALE.
Public-domain text, read in full here on John Shaqi.
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