Dyes and dyeingPellew, Charles E. (Charles Ernest), Viscount Exmouth
Science
Dyes and dyeing
Pellew, Charles E. (Charles Ernest), Viscount Exmouth
Dyes and dyeing
_Artificial Indigo._—The exact composition of indigo was first
determined some sixty years ago, and from that time on some of the
greatest chemists of the world have been attempting to prepare it,
artificially, from some comparatively inexpensive source, obtained
from coal tar or elsewhere. As early as 1875 the problem was solved,
at least from a scientific standpoint, but the process proved too
expensive for commercial purposes. During the last five years,
however, at least two of the great German firms have discovered
methods for making, in any desired quantities and at very reasonable
expense, absolutely pure indigo from some of the important coal-tar
derivatives. And since that time the cultivation of the indigo
plant has proved so unprofitable that it has been almost entirely
abandoned, and the land formerly used for this crop is being turned
over to other and, at present, more useful purposes.
This synthesis—i.e., chemical formation—of indigo from coal-tar
products has been justly regarded as one of the great triumphs of
modern science. Right here let me impress upon my readers this fact:
the real dyestuff, indigo, is absolutely the same material, whether
it comes mixed with a great mass of impurities, as in the woad; or
whether it contains from 5 to 25 per cent. of foreign matter of
little or no value, as in the Bengal or natural indigo; or whether we
get it from Metz or the Badische Company, chemically pure, either in
the dry state or, thinned with water, in the form of a 20 per cent.
paste. It is positively the same dye; and being absolutely without
contamination of any kind, the artificial or synthetic dyestuff
presents advantages in the matter of purity of shade, ease and surety
of manipulation, and permanence of the color produced, which could
never be obtained before its introduction.
=Application of Indigo.=—The principles of indigo dyeing are the same
now as with the Egyptians, the only difference being in the means
used to bring about the chemical changes involved. Indigo itself is a
blue solid, insoluble in water, acids, and alkalies, and practically
unaffected by sunlight. If, however, the element hydrogen be added to
it, or, as the chemist would say, if it is “reduced” by the action
of any one of numerous deoxidizing or reducing agents, the indigo
blue is changed to a new substance, indigo white, which is almost
colorless, and which dissolves, in the presence of alkalies, to a
bright yellow liquid. If cotton, wool, paper, wood, or indeed almost
any solid materials (noticeably the fingers and nails, as some of my
readers may find out), are immersed in the solution, they will absorb
some of this indigo white, and then, on exposure to the air, the
white indigo will rapidly take up oxygen, and become converted into
the insoluble blue coloring matter.
Public-domain text, read in full here on John Shaqi.
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