Dyes and dyeingPellew, Charles E. (Charles Ernest), Viscount Exmouth
Science
Dyes and dyeing
Pellew, Charles E. (Charles Ernest), Viscount Exmouth
Dyes and dyeing
In some cases, however, this bronzing property is of some value, and
enables the skilful craftsman to obtain interesting and effective
results with a minimum of trouble and expense. By painting on a
strong solution of dyestuff, and letting it dry quickly, the bronze
effect will be produced, and then by rubbing in portions, the true
coloring of the dyestuff will be brought out in strong contrast to
the crystal-covered surface. Unfortunately, these bronze effects
are not fast to either rubbing or moisture, and even dry rubbing
will break down the crystals, while rubbing with a damp cloth or a
moist finger will dissolve the color off in blotches. To render this
bronze effect more durable, it is possible to make a regular bronze
lacquer, by adding varnish or gum like orange shellac or gum benzoin
to a strong alcoholic solution of a Basic dye. The bronze varnish
thus produced will, when dry, stand light finishing with wax in the
usual way. The addition of a little benzoic acid to the solution
increases the lustre of the crystals.
CHAPTER XI
SILK—I
So far as we can tell, silk was first discovered and manufactured in
China about 1700 B.C., a date corresponding in Biblical history to
the time of the patriarch Joseph. From China it was exported to the
great and wealthy empire of Persia, and from there was first brought
into Europe by Alexander the Great after his defeat of the Persian
king. Its origin, although known and described by Aristotle, was for
several hundred years a mystery. During the Roman Empire, silken
garments, woven in Europe, from Chinese silk imported by way of
Persia, were important and very highly prized articles of luxury.
About 555 A.D., while commerce with Persia was interrupted by
warfare, two monks in the pay of the Emperor Justinian smuggled
eggs of the silkworm and seeds of mulberry trees from China to
Constantinople. This was the origin of the European silk industry.
It spread rapidly to the various countries bordering on the
Mediterranean, and by the seventeenth century was firmly established
not only in Spain and Italy, but also in France.
Efforts were made to introduce it, at this time, into England, but
without success. In 1622 King James I started the industry, for
the first time, in the colony of Virginia in this country. Since
that time numerous attempts have been made to develop the American
silkworm industry, but with very little success, owing to the large
amount of hand labor necessary to produce the material.
At the present time the very finest raw silk in the world is produced
in the south of France, and next to that come certain brands of
Italian silk. The Japanese silk is more variable in quality, although
steadily improving, while the Chinese silk, as a rule, is less
satisfactory and more apt to be light and fluffy.
Public-domain text, read in full here on John Shaqi.
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