Earl Hubert's Daughter: The Polishing of the Pearl - A Tale of the 13th CenturyHolt, Emily Sarah
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Earl Hubert's Daughter: The Polishing of the Pearl - A Tale of the 13th Century
Holt, Emily Sarah
England -- Social life and customs -- 1066-1485 -- Fiction; Historical fiction
When she was alone, she put her information together, and thought it
carefully over.
"_Non adorabis ea, neque coles_."
Images, then, were not to be reverenced, either in heart or by bodily
gesture. So said the version of Scripture made by Saint Jerome, and
used and authorised by the Church. But how was it that the Church
allowed these things to be done? Did she not know that Scripture
forbade them? Or was she above all Scripture? Practically, it looked
like it.
Yet how was it, if the Church were the mouthpiece of God, that the
commands issued by the One were diametrically at variance with the
recommendations given by the other? If God did not change,--if the
Church did not change,--when had they been in accord, and how came they
to differ?
Doucebelle had now reached a point where she could neither turn round
nor go further. The more she cogitated on her problem, the more
insoluble it appeared to her. Yet her instinctive feeling told her that
to refer it to Father Nicholas would be of no service. He was one of
the better class of priests,--a man of respectable character, with
literary proclivities, which had in his case the effect of keeping him
from vice on the one hand, and of deadening his spiritual sensibilities
on the other. To him, the religion he taught, and had himself been
taught, was sufficient for all necessities, and he could not understand
any one wanting more. When a man's mind has never been disturbed by the
question, it is no cause for wonder that he has never sought for the
answer.
That Father Nicholas would have listened to her, Doucebelle knew; for he
was by no means an unkind or disobliging man. But she had sense to
perceive that he was incapable of understanding her, and that his only
idea of dealing with such queries would be not to solve, but to suppress
them.
Doucebelle passed in mental review every person in the Castle: and every
one, in turn, she dismissed as unsuitable for her purpose. The other
chaplain of the Earl, Father Warner, was a stern, harsh man, of whom
she, in common with all the young people, was very much afraid; she
could not think of putting such queries to him. The chaplain of the
Countess, Father Elias, had just resigned his post, and his successor
had not yet been appointed. Master Aristoteles, the household
physician, was an excellent authority on the virtues of comfrey or
frogs' brains, but a very poor resource on a theological question. The
Earl was not at home. The Countess would be likely to enter into
Doucebelle's perplexities little better than Father Nicholas, and would
playfully chide her for entertaining them. All the young people were
too young except Sir John de Burgh and Hawise. Sir John had not an idea
beyond war, politics, and falconry; and Hawise was accustomed to decline
mental investigations altogether. So Doucebelle was shut up to her
thoughts and her Psalter. Perhaps she might have been worse situated.
Public-domain text, read in full here on John Shaqi.
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