Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
“We live in an age, when ’tis counted almost a scandal to be a
Christian. Religion is stil’d Preciseness and Hypocrisy, and a
strict Conformity to Truth and Virtue is imputed to be the Effect of
Melancholy, a Distemper’d Imagination. We daily hear the greatest
Mysteries of our Faith Ridicul’d and Banter’d, the Clergy Despis’d,
Expos’d and Degraded; and that even by Men, who have not yet Publickly
Renounc’d Christianity; but such as would be thought to have clearer
Heads, and more refin’d Conceptions of Things than their Brethren,
those Men to their Shame stand Pelting Religion at a distance, with
little Scoffs and Jests, when there is a more Fair and Honourable way
of deciding the Matter, by rational and undeniable Arguments.”[82]
In opposition to this we have the testimony of Benjamin Franklin, who
writes:
“Our people, having no publick amusements to divert their attention
from study, became better acquainted with books.”[83]
So, too, a correspondent in the _Weekly Mercury_ writes:
“Here are no Masquerades, Plays, Balls, Midnight Revellings, or
Assemblies to Debauch the Mind or promote Intrigue.”[84]
When, however, we read an advertisement in the same paper about a month
later like the following, we may be permitted to doubt somewhat the
statements of the last two men.
“The Art of Dancing Carefully Taught (as it is now Practic’d at Court)
by Samuel Perpoint, at his _School_ ... where for the Recreation of
all Gentlemen and Ladies: There will be _Country Dances every Thursday
Evening_; likewise he teaches small Sword.”[85]
From this time on, we notice the advertisements of various dancing
masters, who, often were school masters at the same time. Not only
did these Philadelphians enjoy dancing, but they were partial to late
suppers and card playing as well,--playing cards was a staple article
of importation after 1736.[86] Another favorite amusement, we may be
sure, was playing on the Jew’s harp, for after 1733, this instrument
frequently is advertised.[87] The Jew’s harp must have been considered
a harmless instrument by all sects, for as early as 1675 in one State
of Puritan New England it is stated that a law was enacted, “that no
one should play on any kind of music except the drum, the trumpet and
the jewsharp.”[88]
Besides the amusements already mentioned, the Philadelphians had an
opportunity to see a rope-dancer in 1724,[89] “Punch and Joan his
Wife,”[90] “Magick Lanthorn” exhibition,[91] “Camera Obscura and
Microscope,”[92] a musical clock with a man and woman appearing as
mountebanks.[93]
Music was evidently popular at society meetings, banquets, etc. Perhaps
there was nothing more than singing, but possibly a violin and spinet
helped to while away the time. For instance, in 1731 at the celebration
of “St. David’s Day,” by the “Society of Ancient Britons,” the evening
ended with “Musick, Mirth and Friendship.”[94]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account