Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
In the two items which will be given now, may be detected, perhaps, the
incipient germs of musical criticism, or at least the idea, which most
people probably had of what a professor of music should know and be
able to do:
“Elocution is not unlike Musick; there is scarce a Soul so rustick as
not to admire both in their Excellency, altho’ the Masters of those
Sciences may lose their proper Share of the Praise. He that having
laid before him the several Parts of a Musical Instrument, can Unite
them in their Places, and tune them to Harmony, merits the appelation
of a Master in Musick and should be distinguished as such, as he that
disposes Words into grammatical sentences, and eloquent Periods, is a
Master of Language.”[95]
This quotation may argue for the popularity and respect in which music
was held at that time by at least some of the people. We find in this
crude statement, that music was thought worthy of a position by the
side of elocution, which has always held a high place in the minds
of every people, and so we may be safe in believing that music had a
place, and an important place, in Philadelphia, in the early history of
that city.
Another correspondent states that:
“Women, like Instruments of Musick, require to be long used before
their Sweetness or Discord are certainly discovered.”[96]
Unless the writer of the above knew something about music, and unless
music was an object of interest or pleasure, so that this comparison
would be appreciated, he would not likely have ventured to use such a
simile.
In 1733 there is a record of a “ball”[97] while, in the next year under
the heading “London news,” there is a notice concerning the marriage of
the Princess Royal to the Prince of Orange, which gives the following
information:
“A fine anthem compos’d by Mr. Handell was perform’d by a great Number
of Voices and Instruments.”[98]
This latter item proves nothing except that the name of Händel was
introduced into the colonies at an early date, and may have remained
in the memories of some of the people, since he was connected with
such an important event. This may possibly have helped to increase the
popularity which his works, later in the century, attained in America.
It has been seen that there was music and dancing at this time, and
it is now interesting to learn what kind of musical instruments were
used. It has been shown already, that there were Jew’s harps,[99] that
Kelpius had clavichords,[100] and assuredly there were some virginals,
although probably few. In the fifth decade the various instrument
makers mentioned above,[101] probably had quite a number of customers.
In 1729 Andrew Bradford, proprietor of the _American Weekly Mercury_,
advertises:
“A well-strung Virginal to be sold; being in good Order. Enquire of
Printer hereof.”[102]
Public-domain text, read in full here on John Shaqi.
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