Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
These concerts must either have been kept up for years, or new series
instituted year by year, since our friend William Black (already
quoted) says in his diary of 1744, June 5:
“At 8 O’Clock went to hear a Concert of Musick; the Performers was
some Town’s Gentlemen, and did Us the Honour of an Invitation,
we staid till past 11, and I left the Company to go home to my
lodgings.”[114]
It is important to observe, that William Black says he had the “Honour”
to be invited to a concert. One might say that this word was simply
a common expression. It probably was, and still is; but we believe
a man would hardly write such an expression in his diary, unless he
really thought he was honored. It seems probable that this concert
and those of 1740 must have been very exclusive and were not public
entertainments, which anyone might attend.
There was exhibited this same year (1744) a curiosity, which would
attract a large crowd of people. This was no less than:
“The Unparallelled Musical Clock, made by that great Master of
Machinery, David Lockwood. It excels all others in the Beauty of its
Structure and plays the choicest Airs from the most celebrated Operas
with the greatest Nicety and Exactness. It performs with beautiful
graces, ingeniously and variously intermixed, the French Horn,
Pieces, perform’d upon the Organ, German and Common Flute, Flageolet,
etc., Sonata’s, Concerto’s, Marches, Minuetts, Jiggs and Scots Airs,
composed by Corelli, Alberoni, Mr. Handel and other great and eminent
Masters of Musick.”[115]
This is the first public record we have, that works of such famous
composers were played, and they must have become familiar, in a short
time to a great number of inhabitants.
It will be remembered that Miss Ball’s capabilities in the province
of music were confined to but two branches, voice and spinet. In 1749,
however, appears a truly musical genius, if we may judge by the number
of instruments which he played. This man was, as we learn from the
following:
“John Beals, Musick Master from London [who] at his House in Fourth
Street, near Chestnut Street, joining to Mr. Linton’s, collar maker,
teaches the Violin, Hautboy, German Flute, Common Flute and Dulcimer
by Note.
“Said Beals will likewise attend young ladies, or others, that may
desire it, at their houses. He likewise provides musick for balls or
other entertainments.”[116]
Here was an opportunity for the inhabitants of the Quaker City to
improve their time by learning music, and as the variety of instruments
from which they might choose, was large, no doubt some of them became
proficient musicians.
Public-domain text, read in full here on John Shaqi.
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