Early German music in PhiladelphiaDrummond, Robert Rutherford
History
Early German music in Philadelphia
Drummond, Robert Rutherford
Music -- Germany -- History and criticism; Music -- Pennsylvania -- Philadelphia -- History and criticism
This same year saw the beginnings of drama and opera in Philadelphia,
given by the English actors, Murray and Kean.[117] These dramatic
performances were soon discontinued on account of the opposition of
the public. From now until the latter part of the sixth decade of the
eighteenth century there were desultory attempts to give dramas, but
not until 1759 did the theatre prove successful and become permanent.
There was then in this decade an incipient appreciation of drama to
which some music was oftentimes joined. What other music was there at
this time? In 1750-4 Mittelberger says:
“The cultivation of music is rather rare as yet.... Some Englishmen
give occasional concerts in private houses with a spinet or
harpsichord.”[118]
Mittelberger’s statement concerning the cultivation of music is not
quite true. Music undoubtedly was studied a great deal more than
Mittelberger seems to think. If his statement that occasional private
concerts were given by Englishmen is true, this was probably the kind
of concert William Black attended in 1749,[119] and may have been
similar to the concerts of 1740.[120]
During the first half of the eighteenth century Philadelphia was not
so utterly devoid of musical culture as some of our historians of
music would have us believe. The music was not entirely church music,
and although musical culture was not so important a factor in the
life of the people as at the present day, still music was beginning
to make itself felt among intelligent people, and interest in it and
appreciation of it were gradually growing.
FOOTNOTES:
[76] Hart, _American History told by Contemporaries II_, p. 77,
quoted from “_The Voyage, Shipwreck and Miraculous Escape of Richard
Castleman, Gent_,” appended to “_The Voyages and Adventures of Capt.
Robert Boyle_,” London, 1726, 4th Ed. 1786, p. 331.
[77] Scharf & Wescott, _History of Phila._, Vol. II, p. 863.
[78] _American Weekly Mercury_, March 5-14, 1727-8.
[79] _Pa. Gazette_, March 5-13, 1729-30.
[80] Scharf & Wescott, _Hist. of Phila._, Vol. I, p. 203.
[81] _Pa. Gaz._, March 15 to 22, 1738-9.
[82] _American Weekly Mercury_, June 19-26, 1729 [a correspondent].
[83] _Autobiography_, p. 207.
[84] _American Weekly Mercury_, June 19-26, 1729.
[85] _American Weekly Mercury_, July 31 to August 7, 1729.
[86] _American Weekly Mercury_, February 8, 1736 [first advertised].
[87] _American Weekly Mercury_, March 2, 1733 [first advertised].
[88] Perkins & Dwight, _History of Handel & Haydn Society_, p. 17
(note).
[89] Scharf & Wescott, Vol. II, p. 863.
[90] _Pa. Gaz._, Dec. 30, 1742.
[91] _Pa. Gaz._, Jan. 27, 1743.
[92] _Pa. Gaz._, July 2, 1744.
[93] _Pa. Gaz._, May 31, 1744.
[94] _Pa. Gaz._, Feb. 23 to March 4, 1730-31.
[95] _American Weekly Mercury_, Aug. 7-14, 1729.
[96] _American Weekly Mercury_, Sept. 10-17, 1730.
[97] _American Weekly Mercury_, Nov. 11, 1733.
[98] _American Weekly Mercury_, May 23, 1734.
[99] _Vide_ above, p. 26.
[100] _Vide_ above, p. 11.
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