The Freedom of the Press is the birthright of the Anglo-Saxon race,--the hard-won palladium of all other rights; and yet, while there are few amongst that race who do not rightly appreciate the blessings flowing therefrom, the great majority are ignorant of the origin or the history of the Art, the privileges of which they so highly prize, and over which, with watchful jealousy, they guard against every thing that bears the semblance of encroachment. This ignorance is doubtless, in the main, owing to the expensive nature and technical character of many of the works in which such information has been published. These works, forming of themselves a distinct class of literature, are neither few in number, nor wanting in interest. Some of the more important are indeed hardly procurable; and in the far East, where works of the kind must be imported for individual use, writing upon special subjects of European lore is beset with difficulties from which authors in the mother country are happily relieved.[3] Acting however, on the maxim of Lord Bacon, “that every man is a debtor to his profession, from the which as men do, of course, seek to receive countenance and profit, so ought they, of duty, to endeavour themselves by way of amends to be a help thereunto,” I have spared no pains in this endeavour; and am not without hope of imparting to my readers some interesting particulars concerning the origin and history of the Noble Art “That stamps, renews, and multiplies at will, And cheaply circulates through distant climes The fairest relics of the purest times,”-- thus creating “a moral atmosphere which is, as it were, the medium of intellectual life, on the quality of which, according as it may be salubrious or vicious, the health of the public mind depends.”[4] * * * * *