It must have been, now I come to think of it, a dismal old house, suggestive of rats and dampness and mould, that Reydon Hall, with its scantily furnished rooms and its unused attics and its empty barns and stables, with a general air of decay all over the place, inside and out. It had a dark, heavy roof and whitewashed walls, and was externally anything but a showy place, standing, as it did, a little way from the road. It must have been a difficulty with the family to keep up the place, and the style of living was altogether plain; yet there I heard a good deal of literary life in London, of Thomas Pringle, the poet, and the Secretary of the Anti-Slavery Society, whose ‘Residence in South Africa’ is still one of the most interesting books on that quarter of the world, and of whom Josiah Conder, one of the great men of my smaller literary world at that time, wrote an appreciative biographical sketch. Mr. Pringle, let me remind my readers, was the original editor of _Blackwood’s Magazine_, a magazine which still maintains its reputation as being the best of its class. Mr. Pringle, I believe, at some time or other, had visited Wrentham; at any rate, the Stricklands, especially Susanna, were among his intimate friends, and, from what I heard, I could well believe, when, at a later period, I visited his grave in Bunhill Fields, what I found recorded there—that ‘In the walks of British literature he was known as a man of genius; in the domestic circle he was loved as an affectionate relative and faithful friend; in the wide sphere of humanity he was revered as the advocate and protector of the oppressed,’ who ‘left among the children of the African desert a memorial of his philanthropy, and bequeathed to his fellow-countrymen an example of enduring virtue.’ At the home of the Pringles the Stricklands made many literary acquaintances, such as Alaric Watts, and Mrs. S. C. Hall, and others of whom I heard them talk. At that time, however, literature was not, as far as women were concerned, the lucrative profession it has since become, and I have a dim remembrance of their paintings—for in this respect the Stricklands, like my own mother, were very accomplished—being sold at the Soho Bazaar, a practice which helped to maintain them in the respectability and comfort becoming their position in life. But in London they never forgot the old home, and wrote so much about it in their stories, that there was not a flower, or shrub, or tree, or hedge, or mossy bank redolent in early spring of primroses and violets, to which they had not given, to my boyish eyes, a glory and a charm. This reference to painting reminds me of a feature of my young days, not without interest, in connection with the name of Cunningham—a name at one time well known in the religious world.