New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
She halted on the pavement and looked at the façade of her house. Her
gaze lingered. “I shall go to Hollywood,” she bolstered her courage.
PART FIVE
[Illustration]
I
Several days ago, I was taken by surprise at receiving a visit from
Nicholas Van Suydam. It has been almost a year since Eva Litchfield’s
death; and during this time we had known scarcely more of his movements
than that he was abroad. That he had recently come back I also knew,
because by chance I had witnessed his return.
I had gone down to the docks to meet a friend who was arriving from
Europe. It was a dingy day, and the smell of the ocean suggested but
too forcibly man’s enslavement to machinery; for on its breath which
could not rise through the fog it bore the horrid taint of oil. There
was tumultuous noise--of winches, of the heterogeneous bulky things
that are dropped into the holds of ships, of cart horses stamping their
large hoofs and trucks unnecessarily back-firing. But on the cobbled
expanse whose sweep connects the piers with the asphalt of the streets
the maroon brougham waited, and enthroned upon the box was one of the
two composed persons in New York. The irreproachable Higginson flicked
from the ear of the off bay one of the few remaining horse-flies in
town, but this necessary flourish of his whip did not cause a ripple
of the puce livery. The bays were older; it was with more difficulty
that he got an occasional curvet from them; but the brougham had been
repainted and on Higginson’s top hat was a new cockade. For the little
house in West Eleventh Street was empty; a renting agent’s sign creaked
dismally above its white stoop.
I was early, and the waiting-room as disheartening a sight as ever, so
that I hastened out on the stripped length of the pier. Walking slowly
ahead of me was Mrs. Van Suydam. To all appearance, she wore the same
garments which had decently restricted her form three years ago; the
same bonnet-like hat protected the head it scorned to adorn, and drawn
tightly across her nose was a wisp of veil which might have been cut
from the same piece. But she, like her horses, was older; she went
directly to the barrier and clutched it with trembling hands. There was
no way of avoiding her eye, which finally rested upon me. She inclined
her head slightly. The ship was not yet in sight; we would have some
time together. I went up to her. After the most perfunctory hand shake,
she said, her words dropping like plummets: “I am meeting my son.” I
realized that she said this because, at sight of me, she had asked
herself: “Why shouldn’t I feel free to mention my son?”
Public-domain text, read in full here on John Shaqi.
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