Edinburgh: Picturesque NotesStevenson, Robert Louis
General
Edinburgh: Picturesque Notes
Stevenson, Robert Louis
Edinburgh (Scotland) -- Description and travel
Time has wrought its changes most notably around the precincts of St.
Giles’s Church. The church itself, if it were not for the spire, would
be unrecognisable; the _Krames_ are all gone, not a shop is left to
shelter in its buttresses; and zealous magistrates and a misguided
architect have shorn the design of manhood, and left it poor, naked, and
pitifully pretentious. As St. Giles’s must have had in former days a
rich and quaint appearance now forgotten, so the neighbourhood was
bustling, sunless, and romantic. It was here that the town was most
overbuilt; but the overbuilding has been all rooted out, and not only a
free fair-way left along the High Street with an open space on either
side of the church, but a great porthole, knocked in the main line of the
_lands_, gives an outlook to the north and the New Town.
[Picture: The Spire of St. Giles’s] There is a silly story of a
subterranean passage between the Castle and Holyrood, and a bold Highland
piper who volunteered to explore its windings. He made his entrance by
the upper end, playing a strathspey; the curious footed it after him down
the street, following his descent by the sound of the chanter from below;
until all of a sudden, about the level of St. Giles’s, the music came
abruptly to an end, and the people in the street stood at fault with
hands uplifted. Whether he was choked with gases, or perished in a quag,
or was removed bodily by the Evil One, remains a point of doubt; but the
piper has never again been seen or heard of from that day to this.
Perhaps he wandered down into the land of Thomas the Rhymer, and some
day, when it is least expected, may take a thought to revisit the sunlit
upper world. That will be a strange moment for the cabmen on the stance
besides St. Giles’s, when they hear the drone of his pipes reascending
from the bowels of the earth below their horses’ feet.
Public-domain text, read in full here on John Shaqi.
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