Edward MacDowell, His Work and IdealsPage, Elizabeth Fry
General
Edward MacDowell, His Work and Ideals
Page, Elizabeth Fry
MacDowell, Edward, 1860-1908
These are busy days for her at Peterboro, where she is daily striving
to put the MacDowell ideals into permanent and practical effect. The
plan is most appealing and can, perhaps, be better understood by
contrast, if a little insight is given into a state of things, the
amelioration of which is the purpose of the project.
You are invited, then, to step into a neat and attractive modern
apartment kitchen, say three years ago. The grocery boy had just left.
Everything was there, and of unusually good quality--crisp lettuce,
golden oranges, the inevitable loaf of whole wheat bread, the sugar
and lemons--and as the housekeeper compared the articles with the
grocer's book which she held in her hand, she gave a start. Some one
across the way was playing "To a Wild Rose." Yes, it was Wednesday,
and a glance at the kitchen clock revealed the fact that in ninety
minutes the MacDowell Club would be called to order, and she had
promised a poem for the programme. Shades of Sappho! What was to be
done? There had been no time in the two weeks since the last meeting,
between housekeeping, mending, grinding out of pot-boilers and
countless interruptions, to give the matter a thought, and she had
never been known to forget such a promise.
Pegasus neighed reassuringly, and seizing the stub of a pencil
attached to the grocer's book, after a moment of concentration, in
which she closed her eyes to shut out the material vision before her,
she scribbled rapidly on a few blank pages in the back of the plebeian
record. After several readings of the lines and sundry interlined
revisions, she tore out the sheets, blessed Pegasus for coming in
under the wire so nobly, and hurried away to dress. At the appointed
time, sheepishly trying to conceal her unpoetic manuscript, which
there had been no time to copy, behind a lace fan, she arose, flushed
but sustaining her reputation for reliability as a programme feature.
'Twas for like-conditioned people, aspiring to work out their dreams
in words, tones, color or clay in congenial surroundings, undisturbed
by any domestic or other distraction or inharmony, that Edward
MacDowell conceived the idea now being carried out at Peterboro, New
Hampshire.
The plan was not to provide a rest-cure or moderate-priced summer home
for broken-down musicians, artists and writers, as many seem to think,
but to give those at the very height of their productiveness a chance
for undisturbed work, under the inspiration of nature in her most
alluring guise, and association, after work hours, with such rare
souls as could arouse higher aspiration by thought interchange and
comparison of ideals.
Ask the average workman along any artistic line what he would rather
have than anything else and he is very sure to tell you, "Leisure for
work!" And after that, the strongest desire is for the companionship
of some one who really understands what he is trying to do.
Public-domain text, read in full here on John Shaqi.
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