Egyptian decorative art : $b A course of lectures delivered at the Royal Institution — John Shaqi
Egyptian decorative art : $b A course of lectures delivered at the Royal InstitutionPetrie, W. M. Flinders (William Matthew Flinders)
History
Egyptian decorative art : $b A course of lectures delivered at the Royal Institution
Petrie, W. M. Flinders (William Matthew Flinders)
Decoration and ornament -- Egypt
But the spiral was developed, apparently under Usertesen I., into a
chain of coils, which are drawn with great beauty and regularity. Such
care indicates that the design was a novelty, which was not yet
stereotyped and reproduced as a matter of course. In no later reign were
spirals ever so beautifully and perfectly executed. This type was
revived under Amenhotep II. (H. S. 1097). In about the XIIth dynasty it
was combined with the lotus in perhaps the most perfect design that
remains on any scarab—a continuous coil with flowers and buds in the
spaces.
[Illustration: 18.—Turin.]
[Illustration: 19.—F.P.]
But it was felt that the spirals all round occupied too much of the
field, so the top and bottom were left free for inscribing, and the
ornament was limited to the sides, as in this chain of hook pattern of
Usertesen I. This design, with the line continued around the top as well
as the base, was the staple decoration of the private scarabs of the
XIIth-XIIIth dynasties, many of which are of great beauty. Both types
are found, but the hook pattern is more usual than the coils.
[Illustration: Fig. 20. F.P. coll. Fig. 21.]
[Illustration: Fig. 22. F.P. coll. Fig. 23.]
In the finest work, however, the line is made endless, a single
continuous line forming the whole pattern, as in the endless hook
pattern of Setmes, and the endless coil pattern of Ptaherduen.
[Illustration: 24.—Paris.]
[Illustration: 25.—F.P.]
In the few spiral scarabs of later times the pattern is not only placed
at the sides, but is carried all round, as we see in that of Amenhotep
I. and one of Ramessu II., which latter is the latest spiral pattern
known on scarabs.
[Illustration: 26.—F.P. coll.]
The long links were seldom used in continuous patterns around scarabs,
as in this, but were more usually employed for independent spiral
patterns without any inscriptions.
[Illustration: 27.—F.P. coll.]
[Illustration: 28.—K. x. 50.]
[Illustration: 29.—I. viii. 69.]
[Illustration: 30.—K. x. 28.]
[Illustration: 31.—K. x. 40.]
After serving as adjuncts to inscriptions, the spirals became elaborated
as sole patterns. These are at first a few simple coils, as on one
which, from the side pattern, can be dated to about the VIIIth dynasty.
These, when elaborated with more coils or links, sometimes developed to
great length.
[Illustration: 32.—K. x. 17.]
[Illustration: 33.—F.P.]
[Illustration: 34.—I. x. 176.]
Such patterns required but little ingenuity, and it is rather in the
design of continuous spirals that the Egyptian showed his skill. The
problem was how to arrange a number of coils in a symmetrical system
uniformly covering the surface of the scarab, and yet to connect them in
a true series. This was done in various ways, usually by introducing
long loop lines around the edge. One of the simplest type is— In another
a cross pattern is formed which is entirely of C coils, like frequent
patterns at Mykenae.
[Illustration: 35.—F.P.]
[Illustration: 36.—F.P.]
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