Egyptian Tales, Translated from the Papyri: First series, IVth to XIIth dynastyPetrie, W. M. Flinders (William Matthew Flinders)
General
Egyptian Tales, Translated from the Papyri: First series, IVth to XIIth dynasty
Petrie, W. M. Flinders (William Matthew Flinders)
Egyptian literature -- Translations into English
The tale is that of a returned sailor, speaking to his superior and
telling his adventures, to induce him to send him on with an
introduction to the king. At first his master professes to disbelieve
him, and then the sailor protests that this happened to himself, and
gives his narrative. The idea of an enchanted island, which has risen
from the waves and will sink again, is here found to be one of the
oldest plots for a tale of marvels. But the construction is far more
advanced than that of the tales of the magicians. The family of serpents
and the manner of the great serpent is well conceived, and there are
many fine touches of literary quality: such as noise as of thunder, the
trees shaking and the earth being moved at the appearance of the great
serpent--the speeches of the serpent and his threat--the sailors who had
seen heaven and earth--the contempt of the serpent for his offerings.
"As for me, I am prince of the land of Punt, and I have perfumes"--and
the scene of departure. All of these points show a firm hand and
practised taste, although there is still a style of simplicity clinging
to it which agrees well to its date in the XIIth Dynasty.
The great serpent is not of a type usual in Egyptian designs. The
human-headed uraeus is seldom bearded; and the best example of such a
monster is on an Ethiopian temple, where a great uraeus has human arms
and a lion's head. The colours again repeat the favourite combination
expressive of splendour--gold and lazuli. Though lazuli is very rare in
early times, yet it certainly was known in the XIIth Dynasty, as shown
by the forms of some beads of lazuli.
The slaughter of asses in sacrifice is a very peculiar offering, and no
sign of this is found in any representations or groups of offerings.
The colophon of the copyist at the end shows by the style of the name
that it belongs to the earlier part of the XIIth Dynasty, and if so, the
composition might be referred to the opening of foreign trade under
Sankhkara or Amenemhat I.
XIITH DYNASTY
THE ADVENTURES OF SANEHAT
The hereditary prince, royal seal-bearer, confidential friend, judge,
keeper of the gate of the foreigners, true and beloved royal
acquaintance, the royal follower Sanehat says:--
I attended my lord as a follower of the king, of the house of the
hereditary princess, the greatly favoured, the royal wife,
Ankhet-Usertesen, who shares the dwelling of the royal son Amenemhat in
Kanefer.
In the thirtieth year, the month Paophi, the seventh day the god entered
his horizon, the king Sehotepabra flew up to heaven and joined the sun's
disc, the follower of the god met his maker. The palace was silenced,
and in mourning, the great gates were closed, the courtiers crouching
on the ground, the people in hushed mourning.
Public-domain text, read in full here on John Shaqi.
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