Transcriber’s Notes:
Underscores “_” before and after a word or phrase indicate _italics_
in the original text.
Equal signs “=” before and after a word or phrase indicate =bold=
in the original text.
Small capitals have been converted to SOLID capitals.
Typographical and punctuation errors have been silently corrected.
EINSTEIN AND THE UNIVERSE
_A Popular Exposition of the Famous Theory_
_By_ CHARLES NORDMANN
_Astronomer to the Paris Observatory._
_Translated by_ JOSEPH McCABE
_With a Preface by the Rt. Hon._
THE VISCOUNT HALDANE, O.M.
T. FISHER UNWIN LTD.
LONDON: ADELPHI TERRACE
_First published in English April 1922_
_Second Impression June 1922_
_All rights reserved_
PREFACE
A distinguished German authority on mathematical physics, writing
recently on the theory of Relativity, declared that if his publishers
had been willing to allow him sufficient paper and print he could have
explained what he wished to convey without using a single mathematical
formula. Such success is conceivable. Mathematical methods present,
however, two advantages. Their terminology is precise and concentrated,
in a fashion which ordinary language cannot afford to adopt. Further,
the symbols which result from their employment have implications
which, when brought to light, yield new knowledge. This is deductively
reached, but it is none the less new knowledge. With greater precision
than is usual, ordinary language may be made to do some, if not a great
deal, of this work for which mathematical methods are alone quite
appropriate. If ordinary language can do part of it an advantage may
be gained. The difficulty that attends mathematical symbolism is the
accompanying tendency to take the symbol as exhaustively descriptive
of reality. Now it is not so descriptive. It always embodies an
abstraction. It accordingly leads to the use of metaphors which
are inadequate and generally untrue. It is only qualification by
descriptive language of a wider range that can keep this tendency in
check. A new school of mathematical physicists, still, however, small
in number, is beginning to appreciate this.
But for English and German writers the new task is very difficult.
Neither Anglo-Saxon nor Saxon genius lends itself readily in this
direction. Nor has the task as yet been taken in hand completely, so
far as I am aware, in France. Still, in France there is a spirit and a
gift of expression which makes the approach to it easier than either
for us or for the Germans. Lucidity in expression is an endowment which
the best French writers possess in a higher degree than we do. Some of
us have accordingly awaited with deep interest French renderings of the
difficult doctrine of Einstein.
Public-domain text, read in full here on John Shaqi.
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