Einstein, the searcher : $b his work explained from dialogues with EinsteinMoszkowski, Alexander
Philosophy
Einstein, the searcher : $b his work explained from dialogues with Einstein
Moszkowski, Alexander
Einstein, Albert, 1879-1955; Relativity (Physics)
"I know full well that, in doing this, we have light-heartedly caused
many to be driven out who contributed much to the building of the
temple; in many cases our angel would find a decision difficult.... But
let us fix our gaze on those who find full favour with him! Most of them
are peculiar, reserved, and lonely men, who, in spite of what they have
in common, are really less alike than those who have been expelled. What
led them into the temple?... In the first place, I agree with
Schopenhauer that one of the most powerful motives that attract people
to Science and Art is the longing to escape from everyday life with its
painful coarseness and unconsoling barrenness, and to break the fetters
of their own ever-changing desires. It drives those of keener
sensibility out of their personal existence into the world of objective
perception and understanding. This motive force is similar to the
longing which makes the city-dweller leave his noisy, confused
surroundings and draws him with irresistible force to restful Alpine
heights, where his gaze covers the wide expanse lying peacefully before
him on all sides, and softly passes over the motionless outlines that
seem created for all eternity. Associated with this negative motive is a
positive one, by virtue of which Man seeks to form a simplified
synoptical view of the world in a manner conformable to his own nature,
in order to overcome the world of experience by replacing it, to a
certain degree, by this picture. This is what the painter does, as also
the poet, the speculative philosopher, and the research scientist, each
in his own way. He transfers the centre of his emotional existence into
this picture, in order to find a sure haven of peace, one such as is not
offered in the narrow limits of turbulent personal experience.
"What position does the world-picture of the theoretical physicist
occupy among all those that are possible? He demands the greatest rigour
and accuracy in his representation, such as can be gained only by using
the language of mathematics. But for this very reason the physicist has
to be more modest than others in his choice of material, and must
confine himself to the simplest events of the empirical world, since all
the more complex events cannot be traced by the human mind with that
refined exactness and logical sequence which the physicist demands....
Is the result of such a restricted effort worthy of the proud name
'world-picture'?
Public-domain text, read in full here on John Shaqi.
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